“Seth material” search engine (Jane Roberts)

A fourth entry had been made at Three Mile Island in November, and a fifth, with a 14-man crew, was projected for December 11. We followed the news accounts of the negotiations between the United States and Iran for the release of the hostages, and of the war between Iran and Iraq. Since Jane couldn’t leave the house by herself, let alone go holiday shopping, she had a close friend buy the Christmas presents she had in mind for me. My wife did her own wrapping, though, working at it in her writing room after warning me to stay away until she was through. [With eyes averted, I had to carry my own presents to a closet, where I deposited them until Christmas Eve.] Then late in December the page proofs for Mass Events arrived for our checking. This is the last major stage we’re concerned with before a book is printed, other than okaying routine components like frontmatter proofs—meaning the table of contents, dedications, quotations from Seth and Jane, and so forth—and the index.

Mass Events had been a particularly troubling book for Jane to produce; she’d experienced many long delays in giving the sessions for it. While reading those proofs Jane opened up new insights into her reactions to herself and her work. She summarized those conflicts in the note she wrote on our 26th wedding anniversary.³ I saw that same pattern of delay at work in her holding the sessions for Dreams—and to me that meant the same psychic and psychological forces were still operating. We finished correcting the proofs for Mass Events during our very quiet celebration of the year-end holidays, and early in January I mailed the book to Tam.

“I plan to begin typing my poetry book final draft shortly,” she wrote in her journal on February 11. “The poetry itself doesn’t need a final draft—just the essays.”

“This applies—again, generally speaking—whether or not actual book dictation is involved. Difficulties arise, however, in book dictation on those occasions when he becomes too heavy-handed and worries about the responsibility of helping to solve the world’s problems—about his or my capacities in that regard—and when he considers the possible and various objections that any given subject might activate on the part of any given group of people. So if the area becomes too sensitive we let dictation go for a while. Sometimes I insert the particular material in your private sessions first of all, so that he becomes somewhat acclimated to it.”⁶

Two weeks later, on March 3, Jane and I really received a surprise through a friend who lives on the California coast: news of a Spanish-language translation of Jane’s first book, How to Develop Your ESP Power. The edition was printed in Mexico and is on sale in that country and on our West Coast. Our friend has a Mexican friend who showed him a copy of the book. Jane and I didn’t know what to think, since the American publisher of ESP Power, Frederick Fell Publishers, Inc., hadn’t advised us that a translation into Spanish had been authorized. The almost wordless quality of our surprise reminded me of our feelings of a year and a half ago, when we’d learned that the Dutch firm, Ankh-Hermes, had published an abridged edition of Seth Speaks in that language, without our permission.⁷

The day after that session for March 11 was held we received a jolt: Eleanor Friede, Jane’s editor at Delacorte Press, informed us that Jane’s book, Emir’s Education in the Proper Use of Magical Powers, was being remaindered—taken off the market because in the publisher’s view it wasn’t selling enough copies. Eleanor’s protests at the action had done no good. We were given the chance to buy as many copies as we wanted to, at a very low price per book. We’d known that Emir hadn’t been setting any records since its publication in September 1979, but we’d also thought the book’s sales were respectable enough that the people at Delacorte Press would keep it in print until it became better known. Perhaps our shock came about because we’d become spoiled without realizing it, but of Jane’s 14 books Emir¹⁰ is the first one to be withdrawn—and, ironically, the last one she’d had published. That status would soon change, however, when Mass Events and God of Jane reached the marketplace.

Three days later, after a final checking, I mailed Jane’s book of poetry to Tam Mossman at Prentice-Hall. Since she wouldn’t be working with that project for some little time now, Jane’s restless creative mind began to play with other ideas. Even though she often didn’t feel well, a portion of her creativity led her to have dreams of walking and dancing, of being completely healed physically. She wrote more poetry. She painted. And once again she considered a book featuring Seth’s sessions on the magical approach to reality, the series he’d given through August and September of last year.¹²

On April 12 the space shuttle Columbia was launched into orbit around the earth, and I thought that Jane was complementing that obvious exploration of outside space by exploring inner space with the only vehicle she had available—her own mind. That same day, Seth agreed that her new book idea was a good one. Somewhere in here we received from our friend in California the photocopies I’d asked him to obtain, of the frontmatter for the Spanish-language edition of ESP Power. So the book was out in Spanish, we saw—but we were so preoccupied with Jane’s symptoms and related matters that we let the photocopies lie on a shelf. During this time, we had been often rereading Seth’s information on the sinful self as he’d given it on March 11. [See Note 9 for this session.] That material had deeply touched us. The result was that on April 14, the day Columbia landed, Seth initiated a long series of sessions on both Jane’s own sinful self, and that quality in general. The very next evening Jane allowed him to come through with some extremely important material.¹³

During the first week in May, Jane received from Tam the copy-edited manuscript for If We Live Again. As she checked that book she listed several areas of her body where beneficial changes had begun to appear, as well as others that hadn’t shown any improvement. Her difficulties maneuvering in the bathroom were especially bothersome. She was both encouraged and discouraged, then—but did have more energy. I returned the poetry to our publisher on May 13.

Late in May we received from Prentice-Hall our first copy of Mass Events. We were both delighted and bemused that the book was published at last, especially when we considered that Jane had given the first session for it over three years ago [the 801st for April 18, 1977]. We felt that lifetimes had passed since then.

In the session itself, Seth barely began an answer to my question. Instead he went into considerable detail as to how Jane could write a “psychic statement of intentions,” so that her sinful self would know exactly what she wanted out of life. She started work on it the next day. That same day, I congratulated her when our first published copy of God of Jane reached us; that excellent book had followed Mass Events all the way through the publishing process. I told Jane that God of Jane is her best book yet, and that I hope it does well in the marketplace.¹⁵ Yet I sadly noticed that the book’s appearance led to another intensification of her symptoms—the same reaction she’d had when we received our first copy of Mass Events 25 days ago. We were to discover very soon that her sinful self had put together the publication of the two books, my question of last night, and Seth’s own suggestion, to form an emotional trigger.

Once again, we had no guidelines on how to use Jane’s material, except to trust that we’d do the best we could. Achieving results could take a while. “If you do that book on the magical approach,” I asked her, “are you going to use all this stuff on the sinful self, or what?” Jane didn’t know. She did know that she’d been considering an outline for a book on the magical approach. In the meantime, the plan that spontaneously came to me on that last day of her own effort, on June 22, was to present a page or two of her sinful-self material here, then repeat it, along with other excerpts, in the Introduction I’ve already mentioned that I must write for Dreams.¹⁷

By July 8 we’d accumulated 61 fully private sessions since Jane had given the first session for this chapter of Dreams, the 919th, on June 9, 1980. [During that 13-month period we also held 10 regular nonbook sessions and one more book session.] As she began to study that mass of private material on the 8th, Jane abruptly laid it aside to spontaneously write a complete outline for a book on Seth’s magical approach to reality. She’d had many such impulses since giving the first session on that subject 11 months ago, and I’d been hoping she would try the venture. Seth had announced as recently as four days ago that he’s heartily in favor of the project. He repeated his approval in our 63rd private session, held on July 13.

Jane doesn’t agree with my doubts. As always, she’s been letting me put this book together the way I think best—and inevitably that way has followed how we’ve been trying to understand our joint long-term situation. She innocently accepts my labors as they come out. And that trust always reflects, I’m sure, Seth’s own larger view of reality, as I just quoted him from Session 915. Our challenges echo throughout all of our probable realities simultaneously, and through all of them together the largest picture of Jane and myself is presented. In this probable reality we work with what we can pick up from that great whole. We keep trying to learn to ask better questions.

It developed, however, that Jane’s reincarnational adventure might end up doing double duty: Not only had it given her insights concerning her sinful self, but now she picked up from Seth that his remarks about it could result in dictation for Dreams. She’d been looking over sessions for the book at various times lately, so perhaps I shouldn’t have been so surprised. She asked if I’d mind work on Dreams this evening, and I said of course not—that she and Seth have the absolute freedom to talk about anything at all. If Seth did discuss her experience, Jane replied, it would be in connection with “time overlays.” She wasn’t nervous about going back to Dreams. She said that dictation for it wouldn’t mean she was giving up on private material, or on her projected book on the magical approach, either.

“Finish checking copy-edited manuscript of God of Jane this afternoon. Feel this important…. As I finish, I realize how much physical activity and energy is required for even that seemingly sedentary task, for I’ve been uncomfortable, sitting, switching my weight, body soreish, eyes not seeing properly and so forth…. But in some newish way I seemed to understand how much seemingly mental work is dependent upon physical vigor, flexibility and so forth; and then rather strongly—emotionally it came to me that I’d thought it my duty to clamp down physically, to cut down mobility in order to … have mobility as a writer; that is, to sit down, cut down on impulses, distractions, to make sure I’d ‘do my work,’ pursue my goal undeviatingly; that new [book] contracts instantly led me to that kind of behavior and that I really see that such behavior carried to its extremes would end up smothering my writing, defeating the purposes it (seemingly) meant to protect. But I did fear that impulses and body motion were … distractions to work…. Now I see how much impulses are conducive … to just typing, for God’s sake; imagine typing and seeing with ease, just thinking about what I’m thinking about, instead of trying to get my fingers on the proper keys. I feel as if I’m on to something here … feel some relaxation. If this is the case, the entire process could be changed around quite quickly, of course, toward mobility. I’m not writing here tonight about the reasons behind such behavior—many ideas—but did want to get something down now….”

“Yesterday while checking the page proofs for Mass Events I got the feeling that that book really bothered me, served as a focal point. My eye troubles started the same spring that Seth started dictating it [in 1977]; I was doing [my world-view book on William] James; and those people were picketing Prentice-Hall’s offices in New York City because of the Seth material. The fact had escaped me earlier that Mass Events represented Seth’s and my direct attack on official dictums—or so it seemed to me. Before, we sort of did it by inference.

“I accept everything in the book, but I think I felt that if I was going to tell it like it was—and I was, was determined to—then I also needed more protection from the world, and began cutting down mobility again. My idea is that the eyes get bad after the muscular strain reaches a certain point. The idea [of protection] also came back after reading a book on William James that a friend gave us for Christmas. [James’s] attitudes and mine so often seem similar—that he was determined to be daring, press ahead no matter what, explore consciousness—while at the same time being attracted to safety, disliking controversy, wanting peace, etc. I think I am that way. The long breaks when Seth didn’t dictate [book work] may have come when I got particularly concerned about the material, the wisdom of presenting it to the world.

“In fact, Seth gave us Framework 1 and 2 stuff in there, to help me. I did grab hold several times, and with the God of Jane book, the new inspiration there and the material on following impulses, made some very good improvements. [Rob’s emphasis:] But far more than Rob from the beginning, I was nervous and anxious about directly coming out with many of the ideas—which at the same time I fervently and even passionately believe in…. I may fear that if you go too far … telling it like it is … that the establishment will just cut off your platform … or that people will stop buying the books … something like … biting the hand that feeds you. You can only go so far. Yet I’ve always known that these ideas conflicted with official ones. It’s just that [earlier our] ‘attack’ was less direct.

One of those periods of delay in Jane’s delivering the sessions for Mass Events lasted for 42 weeks, or 9½ months; in that book see the opening notes for Session 831, in Chapter 5. This hiatus in Chapter 9 of Dreams lasted for eight months, between sessions 928 and 931.

“We have to go beyond that—back to stressing the creative larger-than-life aspects. Otherwise all we have is a better problem-solving framework…. I’ve rejected all that kind of hash projected onto Seth’s books by others or myself—the assumptions that Seth must prove himself as a problem-solver—or the importance of functionalism over art. The larger view is that art, by being itself, is bigger than life while springing from it; that Seth’s and my books go beyond that simply by being themselves. They automatically put people in a different, vaster psychological space, another frame of reference, in which a good number of problems vanish or simply do not apply….

“To [achieve] that, I have to drop those old feelings of responsibility as a primary focus, because they strain the Seth-book framework, particularly when I demand that in each book Seth answer all questions and so forth.

7. In Chapter 2 of Dreams, in Volume 1, see my account of the Ankh-Hermes affair, as given in Note 1 for Session 885. We didn’t know whether ESP Power had been published without our American publisher’s consent—but there we were, confronted by another puzzling development involving a foreign-language edition of one of Jane’s books. At once I wrote to our California friend, asking him to obtain from his friend photocopies of three pages in the frontmatter of ESP Power: the title page, the table of contents, and the page that nobody reads, containing the information on copyright, permission for translation, and the name of the Mexican publishing firm.

“I equate all of this with three events: a movie I saw on TV the night before last in which the hero finally saw through the god of his people; a Raggedy Ann doll Rob found in the backyard the other day and brought in (it was probably dragged there by a dog, its right arm is missing)—but it reminded me of my old Susie; and part of a review I read yesterday of a book about death.

“The book was based on the idea that nature was against man; and that religion was man’s attempt to operate within that unsafe context. The feelings I was getting went even further, that religion or science or whatever weren’t attempts to discover truth—but to escape from doing so, to substitute some satisfying tale or story instead. And I suppose that if someone persisted long enough, he or she would find the holes in the stories … and undo the whole works. The idea of the stories was to save each man from having to encounter reality in such a frightening fashion…. The characters in the stories did this for him in their own fashion, and if you kept [searching] … you threatened the fine framework of organization that alone made life possible….”

“The church was quite real to Ruburt as a child, through the priests who came (to the house) regularly, and through direct contact with the religious (grade) school, and the support offered to the (fatherless) family. Ruburt’s very early poetry offended Father (Boyle), who burned his books on the fall of Rome, so he had more than a hypothetical feeling about such issues. Many of his fears originated long before the sessions, of course, and before he realized that there was any alternative at all between, say, conventional religious beliefs and complete disbelief in any nature of divinity.

I could add much material from Jane’s personal past to supplement just the session excerpts given here; perhaps the two of us can explore those fascinating connections in a later work. Right now I’ll make just one point: The priest, burning Jane’s books in the backyard of the house she lived in, taught the growing girl in most specific terms that she had to protect her natural abilities and her inquiring mind even from the very institution—the Roman Catholic Church—that she had so strongly identified with.

10. Like each of Jane’s books, Emir has its own life, its own place upon our planet, and resists categorization. It falls somewhere between being a book for children and one for adults. That made it difficult for its publisher to market. Tam Mossman said it best in September 1977, when Jane was writing the book and Prentice-Hall was considering its publication: Emir is really a book for “readers of all ages.” Jane has received many favorable comments upon it from readers, and we’re sorry to see it go out of print. Being remaindered usually means the end of a book, unless it can be placed with another publisher. That’s difficult to do.

15. I tell Jane that each book she does is her best—and I mean it each time, for each one is. The Seth books sell better, however, than do her “own” books: How to Develop Your ESP Power, Adventures in Consciousness, Psychic Politics, Cézanne and James, her Oversoul Seven novels, Dialogues and Emir. (See the opening notes for this 931st session, as well as Note 10, for my description of the demise of Emir.) Now Jane adds God of Jane to her list, with If We Live Again to follow in a few months.

That the Seth books outdo Jane’s other works has always puzzled us. Each one of her books, whether produced by herself or with Seth, is an equally valid and intimate expression of her basic creativity. Seth doesn’t come from some separate, more exalted portion of Jane’s psyche that’s off limits to her when she’s writing her own books. As he’s often said himself, he isn’t omnipotent: Like Jane, he shrinks from being a guru—and I stress that Seth doesn’t hold that attitude just because Jane does. Neither seeks to dominate the other; each tries to help the other.

One can also say that the Seth books are a step farther removed than Jane’s are from the immediacy of life as we conceive of it. Even with the elimination of the Seth element from them, Jane’s own books would still represent a remarkable overall achievement, and had she never given expression to the Seth material I’m sure she would have developed her abilities in ways quite unknown to us now. Within her basic creativity lies the source of Seth as we are to understand him in our temporal reality. Her expression of Seth is an adjunct to that creativity, as he is the first to acknowledge.

“The main issues with which the sinful self was concerned were focused most clearly in Mass Events and God of Jane,” Seth told us, “since more than the other books they represent a direct confrontation, ‘attacking’ the very legitimacy of the entire concept of sin and evil, insisting more dramatically on the good intent of man’s basic impulses…. [Ruburt’s] sinful-self explanation represents a fascinating psychological document in that regard, and also shows the self’s mobility and willingness to learn and change—once the intent is made to take a stand.

“Wednesday, July 15, 1981. Last night or rather this morning I had a strange strange dream experience, very vivid while happening, quite important I felt, and now I hardly remember it. The affair involved an excellent TV movie on reincarnation we saw last night. In the dream experience I think I was considering doing a book, a sequel, to the movie—but I was also seeing one or maybe two reincarnational lives of mine, seeing how a belief in reincarnation helped open a sense of the future in the present: I was learning how to visit those lives, which were still happening and for which I think I yearned—without dying in this life. There was a road and other scenes from my past I wanted to paint too; a significant green bottle; people I dearly loved, and Rob might have been involved too. Lots I’ve completely forgotten about people who loved you in particular lives always in some way being supportive; that we’re caught up in time-to-time overlays Seth has referred to in his late book dictation; that rhythmic time overlays happened as various anniversaries or significant events from various lives overlapped, bringing them momentarily closer (like comets) when entries back and forth, and interchanges, are particularly easier.

22. Although Jane has had “particular difficulty” with the theory of reincarnation, both through Seth and in her poetry she’s always kept psychic windows open through which she can view and express reincarnational ideas and emotions. Poetically, this will be obvious when If We Live Again is published late this year. (Probably in December. We expect to receive from Prentice-Hall the page proofs for the book, for our review, any day now.) In her poetry the young Jane was using ideas akin to reincarnation before she even knew the word—subject matter that was strongly disapproved of by the Catholic priests who visited Jane and her bedridden mother at home.