“Seth material” search engine (Jane Roberts)

The very next day we were distracted: We received back from our publisher the film option contracts for The Education of Oversoul Seven. The filmmaker required certain additions for legal reasons; we had to have our attorney renotarize the contracts. On the same day I returned them to Prentice-Hall, I also sent in Jane’s signed contract for If We Live Again—and the mail brought us the copy-edited manuscript for God of Jane.

Three days later, after a final checking, I mailed Jane’s book of poetry to Tam Mossman at Prentice-Hall. Since she wouldn’t be working with that project for some little time now, Jane’s restless creative mind began to play with other ideas. Even though she often didn’t feel well, a portion of her creativity led her to have dreams of walking and dancing, of being completely healed physically. She wrote more poetry. She painted. And once again she considered a book featuring Seth’s sessions on the magical approach to reality, the series he’d given through August and September of last year.¹²

Late in May we received from Prentice-Hall our first copy of Mass Events. We were both delighted and bemused that the book was published at last, especially when we considered that Jane had given the first session for it over three years ago [the 801st for April 18, 1977]. We felt that lifetimes had passed since then.

“Yesterday while checking the page proofs for Mass Events I got the feeling that that book really bothered me, served as a focal point. My eye troubles started the same spring that Seth started dictating it [in 1977]; I was doing [my world-view book on William] James; and those people were picketing Prentice-Hall’s offices in New York City because of the Seth material. The fact had escaped me earlier that Mass Events represented Seth’s and my direct attack on official dictums—or so it seemed to me. Before, we sort of did it by inference.

10. Like each of Jane’s books, Emir has its own life, its own place upon our planet, and resists categorization. It falls somewhere between being a book for children and one for adults. That made it difficult for its publisher to market. Tam Mossman said it best in September 1977, when Jane was writing the book and Prentice-Hall was considering its publication: Emir is really a book for “readers of all ages.” Jane has received many favorable comments upon it from readers, and we’re sorry to see it go out of print. Being remaindered usually means the end of a book, unless it can be placed with another publisher. That’s difficult to do.

22. Although Jane has had “particular difficulty” with the theory of reincarnation, both through Seth and in her poetry she’s always kept psychic windows open through which she can view and express reincarnational ideas and emotions. Poetically, this will be obvious when If We Live Again is published late this year. (Probably in December. We expect to receive from Prentice-Hall the page proofs for the book, for our review, any day now.) In her poetry the young Jane was using ideas akin to reincarnation before she even knew the word—subject matter that was strongly disapproved of by the Catholic priests who visited Jane and her bedridden mother at home.