1 result for (book:deavf2 AND session:920 AND stemmed:work)
[... 5 paragraphs ...]
By then, my wife was almost always uncomfortable to some degree, and sometimes in outright pain. She had to sit on a high stool to do the dishes. She still walked by leaning on her typing table and pushing it forward step by step—but she did this much less frequently, perhaps only once or twice a day. Instead, it became routine for her to get around the house by using her feet to draw herself along as she sat in her wheeled office chair. She seldom left the house; she could barely maneuver down the two steps into the garage off her writing room, and into our car. Jane had a lot of trouble getting into the shower. She had much difficulty sitting for the long hours she spent at her desk. Her fingers didn’t work easily when she typed, or wrote with pen and pencil, or held a paintbrush.
[... 3 paragraphs ...]
Jane’s worsening situation through June and July, then, prepared her to accept my suggestion that Seth could help her. She put aside the first session for Chapter 9 of Dreams, and began Seth’s sessions on the magical approach to reality. As Seth remarked on August 6, when he gave his first session on the subject: “When Ruburt finished his project [God of Jane], he found himself with all of that time that was supposed to be used. He also became aware of his limitations, physically speaking: There was not much, it seemed, he could do but work, so he took the rational approach—and it says that to solve the problem you worry about it.”
[... 2 paragraphs ...]
Besides enabling Jane to help herself physically, Seth’s magical-approach material had other beneficial aspects for her. Some of those lay in her poetry, both for her book and outside of it. On August 25, for example, on the day she delivered the sixth session for Seth on his new theme, Jane wrote the following untitled poem. I urged her to give it a title and include it in If We Live Again. Within its deceptive simplicity her poem carries profound meaning; I haven’t seen that meaning expressed any better elsewhere. If she were to sum up the results of her life’s work so far in a few lines, this poem would do the job the best of all:
[... 1 paragraph ...]
See Note 7, in which I used Jane’s poem as a focus around which to offer certain pieces. Indeed, more and more as I worked on these notes for Chapter 9 of Dreams, I saw how necessary it was that I write an Introduction for the book itself—to create a framework for the presentation of all of the material in it from our private and professional lives. Of course, I couldn’t yet know everything that such a project ought to contain. Jane had mentioned a number of times that she’d help me with it. And she was playing around with the idea of a Seth book on the magical approach.
Early in September Tam mailed back to us, for our approval, the copy-edited 484-page manuscript for Mass Events. An independent reader had gone over our labors line by line, checking for everything from grammar and contradictions to philosophy, “flagging” questions for us by noting them on slips of pink paper taped to the appropriate manuscript pages. Along with our other projects—including answering a steady flow of letters—Jane and I spent the month going over Mass Events, accepting some suggestions but rejecting many others. On the 13th we received from Sue Watkins our first copy of Volume 1 of Conversations With Seth, Sue’s excellent account of the ESP classes Jane used to hold in one of the two apartments we rented in downtown Elmira, before we moved to the hill house outside of town in 1975. Sue was now working on the last two chapters of the second and last volume of Conversations. Early in October I returned Mass Events to our publisher once more; it was ready to be set in type. Jane kept at her poetry and essays right into that first week in October, while her physical improvements continued to show in a modest way. Her walking especially was better, and I was able to take her on an occasional drive in the beautiful country.
That first, July 23rd entry at Three Mile Island took place on day 263 of the seizing of the American hostages in Iran. See Note 1 for Session 919, in Chapter 7 of Dreams, wherein I reviewed not only Iran’s concern over the Russian invasion of its eastern neighbor, Afghanistan, in late December 1979, but also Iran’s border clashes with its western neighbor, Iraq, during the past year. Finally, on September 23 [day 325 of the hostage situation], the inevitable happened in the very unstable Middle East: Amid that explosive mixture of secular and religious national consciousnesses “at work” there, Iraq launched an outright invasion of Iran. Quickly Iraq began to gobble up large portions of Iranian territory. The whole Western world became alarmed, for economic reasons as well as others.
[... 1 paragraph ...]
And yet the embattled consciousness of Iran persists, and will, I think, survive for a long while. Many consciousnesses in the Middle East have much to work out yet.
[... 45 paragraphs ...]
“Such a cultural time works well overall for the civilization that concentrates upon partialities, bits and pieces, assembly lines, promptness of appointments, and so forth.
“Ruburt culturally has felt that each moment must be devoted to work. You have to some extent felt the same. Natural time is far different than you suppose. Far richer, and it turns inward and outward and backward and forward upon itself.
“Being your own natural and magical self when you dream, you utilize information that is outside of the time context experienced by the so-called rational mind. The creative abilities operate in the same fashion, appearing within consecutive time, but with the main work done outside of it entirely…. When you were both working on your projects, your cultural time was taken up in a way you found acceptable. When the projects were done, particularly with Ruburt, there was still the cultural belief that time should be so used (underlined), that creativity must be directed and disciplined to fall into the proper assembly-line time slots.
[... 33 paragraphs ...]