1 result for (book:deavf2 AND session:920 AND stemmed:titl)
[... 10 paragraphs ...]
I was delighted when Jane began to show physical improvements almost at once during those early August days, and so was she. It’s not contradictory to note that during August and September, following his regular schedule of twice-weekly sessions, Seth methodically presented some very exciting concepts. So closely do those 13 sessions fit together that it’s most difficult to give excerpts.5 Seth’s magical-approach material represents one of his best efforts to help us, as well as others. Jane’s difficulties certainly inspired them, but their creativity also goes beyond our own needs. And as soon as I realized she was going to continue the series for a while, I jokingly asked her what was going on: “What do you think you’re up to, hon? Are you doing a book within a book, or what?” My wife didn’t answer yes or no, but I could see that she was pleased, and that she was thinking about it. The title of the new book would be automatic: The Magical Approach to Reality: A Seth Book.
In the meantime, early in August Jane had laid Seven Three aside once more and returned to the book of poetry she’d had in progress for a year.6 And on August 15 she happily announced that she’d come up with the complete title she had been searching for all that time: If We Live Again: Or, Public Magic and Private Love. Her editor, Tam Mossman, enthusiastically agreed with her choice. Two days later, Jane began writing the first of the three essays she had planned for the book: “Poetry and the Magical Approach to Life.” Her choice of subject matter there was quite natural: She’d given her third session in that series two days earlier.
Besides enabling Jane to help herself physically, Seth’s magical-approach material had other beneficial aspects for her. Some of those lay in her poetry, both for her book and outside of it. On August 25, for example, on the day she delivered the sixth session for Seth on his new theme, Jane wrote the following untitled poem. I urged her to give it a title and include it in If We Live Again. Within its deceptive simplicity her poem carries profound meaning; I haven’t seen that meaning expressed any better elsewhere. If she were to sum up the results of her life’s work so far in a few lines, this poem would do the job the best of all:
[... 87 paragraphs ...]