1 result for (book:deavf2 AND session:920 AND stemmed:psycholog AND stemmed:time)
[... 4 paragraphs ...]
Jane doesn’t often refer to such world events in her notes and journals, but we often talk about them. In fact, she made no notes of any kind in her 1980 journal from the middle of June to July 20, for a span of five weeks, but those two months were busy times for us professionally. In June, I started experimenting with paintings of my dream images, for use in a possible book—and this endeavor, I discovered, presented me with a whole set of challenges all by itself. I mailed the finished manuscripts for Mass Events and God of Jane to our publisher on July 2 and 18 respectively. During those times, however, I was extremely sorry to note that Jane’s physical symptoms—her difficulties “walking” and performing other routine tasks—were obviously becoming much worse.
[... 1 paragraph ...]
Jane resisted lying down a couple of times a day to get some relief, although usually I was able to talk her into doing so. For many complex reasons she refused to go the conventional medical route, as she always had—and I felt [and still do] that my own hang-ups in that area prevented me from helping her as much as I should have. Instead, Jane insisted upon trying to use her abilities to help herself. I grieved to see my wife in such distress, but ultimately could do little beyond helping her get as comfortable as possible. Among other things, I bought her a water-filled cushion for her chair. It gave her some relief, but she needed much more help than that.2
By the fourth week in July, a few days after finishing God of Jane, Jane was reading over the 17 chapters she’d done on her third Seven novel, Oversoul Seven and the Museum of Time.3 She made notes for Seven Three, as she called it. Then she wrote in her journal on the 24th: “I was looking over Seven Three for the first time in 14 months when sub rights called about the movie contract for the first Seven—so that’s no coincidence! May finish the third Seven next. Pleased with what I’ve read so far!”
[... 1 paragraph ...]
Jane’s worsening situation through June and July, then, prepared her to accept my suggestion that Seth could help her. She put aside the first session for Chapter 9 of Dreams, and began Seth’s sessions on the magical approach to reality. As Seth remarked on August 6, when he gave his first session on the subject: “When Ruburt finished his project [God of Jane], he found himself with all of that time that was supposed to be used. He also became aware of his limitations, physically speaking: There was not much, it seemed, he could do but work, so he took the rational approach—and it says that to solve the problem you worry about it.”
[... 1 paragraph ...]
In the meantime, early in August Jane had laid Seven Three aside once more and returned to the book of poetry she’d had in progress for a year.6 And on August 15 she happily announced that she’d come up with the complete title she had been searching for all that time: If We Live Again: Or, Public Magic and Private Love. Her editor, Tam Mossman, enthusiastically agreed with her choice. Two days later, Jane began writing the first of the three essays she had planned for the book: “Poetry and the Magical Approach to Life.” Her choice of subject matter there was quite natural: She’d given her third session in that series two days earlier.
[... 2 paragraphs ...]
See Note 7, in which I used Jane’s poem as a focus around which to offer certain pieces. Indeed, more and more as I worked on these notes for Chapter 9 of Dreams, I saw how necessary it was that I write an Introduction for the book itself—to create a framework for the presentation of all of the material in it from our private and professional lives. Of course, I couldn’t yet know everything that such a project ought to contain. Jane had mentioned a number of times that she’d help me with it. And she was playing around with the idea of a Seth book on the magical approach.
[... 5 paragraphs ...]
I admit that for some mysterious reason of my own I let Bill Baker, as I’ll call that youngish individual, fool me when he knocked on our back-porch door yesterday afternoon. He was very well dressed and very well spoken, and I didn’t pay enough attention to the doubts I sensed when he told me about hearing voices in his head, and asked if Jane did the same thing with Seth. I said no. After introducing him to my wife, I went back to my writing room. I could understand what they were saying by concentrating upon the murmur of their voices from the living room, but I seldom did so. She almost called me, Jane said later, when she realized that Bill Baker is a disturbed9 person. He told her he’d been hospitalized several times for mental problems, and demonstrated his ability to speak very fluently a “nonsense” language he cannot decipher. [Later I remembered hearing a bit of that.] Our caller had received a number of pages of information from Jesus Christ. He described how he’s relating the Seth material to his sexual fantasies involving young girls, and detailed other instances in which he’d been strongly rebuffed when trying to physically actualize some of Seth’s ideas. There was more. Jane caught him in a number of contradictory statements.
[... 7 paragraphs ...]
What you are dealing with in many instances are exhibitions of various, sometimes quite diverse personality patterns of behavior—patterns that are, however, not as assimilated, or as smoothly operative as they are in the person you call normal. The patterns are seen in an exaggerated fashion, so that in some such cases at least you can gain glimpses of mental, emotional, and psychic processes that usually remain psychologically invisible beneath the more polished or “finished” social personality of the usual individual.
The person labeled schizophrenic, momentarily or for varying periods of time, lacks a certain kind of psychological veneer. This is not so much a basic lack of psychological finish as it is the adoption of a certain kind of (pause) psychological camouflage.
[... 1 paragraph ...]
The self becomes operationally scattered or divided, so that if one portion of it is attacked, the other portions can rise up in defense. Such persons use the various elements of the personality as spies or soldiers, scattering their forces (pause), and forced under those conditions to set up elaborate communication systems to keep those portions of the self in contact with each other. In times of stress, they set up an even greater isolation of one part of the self from another, which puts stress upon the system of communication, of course, so that it must be used constantly.
The communications themselves are often a kind of psychological or symbolic code, such as might indeed be used in military intelligence. If the messages were to be clearly deciphered and understood, then of course the game would be over, for the one to understand the message would be the united self who [had] felt the need of such camouflaged self-troops (hyphen) to begin with.
[... 1 paragraph ...]
I am making generalizations here, but each individual case should be looked at in its own light. Such people as a rule, however, have an exaggerated version of the self (pause), so idealized (long pause) that its very existence intimidates practical action. They are afraid of making mistakes, terrified of betraying this sensed inner psychological superior. Usually, such an idealized inner self comes from the acceptance of highly distorted beliefs—again, concerning good and evil. You end up with what can amount to two main inner antagonists: a superior self and a debased self. The qualities considered good are attracted to the superior self as if it were a magnet. The qualities that seem bad (underlined) are in the same fashion attracted to the debased self. Both of them, relatively isolated psychological polarities, hold about equal sway. All other psychological evidences that are ambiguous, or not clearly understood by either side, group together under their own psychological banners. This is a kind of circular rather than linear arrangement, however, psychologically speaking.
[... 1 paragraph ...]
He requires undue amounts of praise and attention from others, since he obviously will get little from himself. In a fashion, to an extent he will refuse to be accountable for his actions—therefore taking them out of the frame of judgment within which other people must operate. He then can avoid putting his “talents and superior abilities” to the test, where he feels he would certainly fail. He half realizes that the superior self and the debased self are both of psychological manufacture. His abilities are not really that grand. His failures are not nearly that disastrous. The belief in these highly contrasting elements of personality keep him in a state of turmoil, however, so that he feels powerless to act in any concerted fashion.
The term “schizophrenia,” however, covers multitudinous experiences—some such people are quite satisfied with their condition, find their own niches, are able to support themselves, or have means of support. Others live in an atmosphere of constant fear of their own condition, while at the same time they are excited, as soldiers might be in combat. Some can be quite functional in society, and the condition in any case is highly variable, covering people who are simply social misfits to those who are in deep psychological trouble.
(10:03.) With most people (long pause), there is a kind of psychological paved road upon which impulses travel before they meet (pause) an intersection with the conscious mind, which then determines whether or not the impulse will be followed or acted upon. (Long pause.) In the kinds of cases we are discussing, however, instead of a paved road you have a dangerous, rocky field that might be filled with mines ready to explode at any time.
[... 3 paragraphs ...]
The personality can indeed put itself together in multitudinous fashions. There is great leeway in the use of inner and outer perceptions, and the manners in which these are mixed and matched to form an acceptable picture of reality at any given time.
(Long pause at 10:24.) Physical perception gives you a necessary kind of feedback, but it is also based upon learning processes, so that from a young age you learn to put the pieces of the world together in acceptable fashions. In a way, under certain conditions, some schizophrenic situations can give you righter glimpses of inner psychological mobility, a mobility that was focused and directed as you grew through childhood. Schizophrenia represents a kind of learning disability in that particular respect.
[... 4 paragraphs ...]
(Pause.) I will have more to say about such communications, and the ways in which they can point out the greater psychological mobility that is a more or less natural element in children. When you are a child, you are not held accountable for your actions in the same way that adults are, and schizophrenia often begins around puberty, or young adulthood, when people feel that their youthful promise is expected to bear fruit. If they have been considerably gifted, for example, they are now supposed to show the results of schooling through adult accomplishments. If they are nearly convinced, however, that the self is also dangerous or evil, then they become afraid of using their abilities, and indeed become more frightened of the self—which, again, they then try to conquer by dividing. They feel cut off from value fulfillment. In a fashion they begin to act opaquely in the world, showing a divided face.
[... 2 paragraphs ...]
(Seth added a few sentences of personal material for Jane, then ended the session at 10:40 P.M. Jane’s delivery had often been very animated and forceful, and I told her she’d done well. I was going to joke with her by asking if this was a “fill-in” session, but decided not to. I felt that except for our own time limitations, Seth could have given much more material on the whole subject of mental illness.)
[... 1 paragraph ...]
1. I don’t mean to imply that it was particularly easy to assemble these notes. It took me days. Sometimes over the years, in my frustration at being unable to find a certain line or passage in a session, or in something Jane or I have written, I’ve ended up thinking that I merely imagined its being: “It doesn’t really exist at all,” I’ve told myself, “so why am I wasting my time looking for it?” Yet once I start hunting, it’s difficult to stop until I’ve exhausted all reasonable chances of finding what I want. Even a thorough indexing of every paper we have in the house, including each page of the Seth material, often wouldn’t locate the kinds of references I need. To suit me, I’ve told Jane more than once, the index would have to be practically as long as our lifework itself. I’ve gone through those episodes a number of times. (So have others, according to their letters, even though the books are indexed.)
[... 4 paragraphs ...]
5. Seth hardly flattered us in this first session. He also gave us a clue as to how Jane delivers certain sessions for him. To begin with, however, his magical-approach information reminded me at once of the two thoughts Jane had picked up from him back on May 12, the day she held the 915th session for Chapter 8. I’m stressing these points because I think they’re important: “Alone, reason finally becomes unreasonable. Alone, imagination finally becomes less imaginative over time.” Nine days later, Seth finally gave a little information relevant to Jane’s insights; see the 917th session after 9:23.
[... 3 paragraphs ...]
“Some of Ruburt’s notes that you have not seen have further important insights as to such activity. The main point is the importance of accepting (underlined) a different kind of overall orientation—one that is indeed a basic part of human nature. This involves an entirely different relationship of the self you know with time.
“Important misunderstandings involving time have been in a large measure responsible for many of Ruburt’s difficulties, and also of your own, though of a lesser nature. All of this involves relating to reality in a more natural, and therefore magical, fashion. There is certainly a kind of natural physical time in your experience, and in the experience of any creature. It involves the rhythm of the seasons—the days and nights and tides and so forth. In the light of that kind of physical time, there is no basic cultural time … which you have transposed upon nature’s rhythms.
“Such a cultural time works well overall for the civilization that concentrates upon partialities, bits and pieces, assembly lines, promptness of appointments, and so forth.
“Ruburt culturally has felt that each moment must be devoted to work. You have to some extent felt the same. Natural time is far different than you suppose. Far richer, and it turns inward and outward and backward and forward upon itself.
“Being your own natural and magical self when you dream, you utilize information that is outside of the time context experienced by the so-called rational mind. The creative abilities operate in the same fashion, appearing within consecutive time, but with the main work done outside of it entirely…. When you were both working on your projects, your cultural time was taken up in a way you found acceptable. When the projects were done, particularly with Ruburt, there was still the cultural belief that time should be so used (underlined), that creativity must be directed and disciplined to fall into the proper assembly-line time slots.
[... 10 paragraphs ...]
“My own ideas must be colored to some extent by my place in time also, and middle age seems to be an excellent spot for such a study because theoretically time stretches as far ahead as it does behind. That is, there is as much anticipated time as there is remembered time.
“In childhood we have little past time to remember. We seem to come from darkness, taking our parents’ memories on faith for proof that there was time before our birth. As we grow toward old age, we have past time to play with—we know where we came from in usual terms—and the darkness that once seemed to stretch behind our source or origin seems to be our destination. Certainly an examination of the mind and reality from the standpoint of old age will be invaluable.”
And: “Today now I feel that acceleration that tells me that my intent is traveling out into the unknown, or out into the universe to bring in answers to my questions, even questions I’m not consciously aware of. And from experience I know that enough energy is generated to do this though the results will come to me in time. I know I get them from outside of time in some unknown way.”
[... 5 paragraphs ...]
“I believe a great memory must be involved here, one that on deeper levels is coupled with a shortening of time as we think of it. Seth-Jane’s abilities remind me of material I wrote recently on how certain portions of the psyche must very shrewdly and carefully construct dreams in advance, so when the dreams are played back they render just the right messages to the other part or parts of the psyche that need them. I’m not being contradictory here when I write that dreams are also spontaneous productions.”
[... 1 paragraph ...]
(I was curious as to why Seth had devoted two other private sessions in late September to different subjects. When I asked Jane about this tonight, at first she rather matter-of-factly said that she didn’t know. Then: “Well, I don’t tell you everything, but for some time now I’ve known that Seth gives what I call fill-in sessions. I’ve labeled them that way in my mind. They cover floating material—stuff he could give any time. They aren’t book sessions or really personal ones. They keep the sessions going over periods of time—usually by discussing past material—connecting it to the present, while not necessarily adding new stuff. And not specifically given on one subject. Originally I think the Christ sessions got started that way.”
[... 5 paragraphs ...]
“I can envision Seth’s material expanding almost endlessly just on a day-to-day basis, as he deals with events in the lives of Jane and me—and this idea conveys nothing about news of his reactions to and interactions with events on various levels of his own reality, plus other realities he may be able to reach. In Chapter 8 of Dreams, when I asked Seth what he was going to do for the rest of the evening (in our terms), he replied: ‘I am going to refresh myself by diving into some new concepts, for there are new concepts for me also, of course, and I dive into them from many positions all the time as well.’ (See the conclusion of Session 916 for May 14, 1980.) Think of the questions one could ask him relative to just this one statement! Such provocative assertions leave behind them unsatisfied voids of curiosity. Actually, most of his information does, regardless of subject matter. But obviously, if Seth did take up every moment of our temporal lives with personal material, all else would be probable.”
[... 6 paragraphs ...]