“Seth material” search engine (Jane Roberts)

See Note 7, in which I used Jane’s poem as a focus around which to offer certain pieces. Indeed, more and more as I worked on these notes for Chapter 9 of Dreams, I saw how necessary it was that I write an Introduction for the book itself—to create a framework for the presentation of all of the material in it from our private and professional lives. Of course, I couldn’t yet know everything that such a project ought to contain. Jane had mentioned a number of times that she’d help me with it. And she was playing around with the idea of a Seth book on the magical approach.

Such people—in a fashion, now—play a game of quite serious hide-and-seek with themselves and with the world. They believe in the dictum: “Divide and conquer.” It is as if, for reasons I hope to discuss, they refuse to put themselves together properly, refuse to form one fairly united self. The idea behind this is: “If you cannot find me, then I cannot be held accountable for my actions—actions which are bound in one way or another to betray me.”

“In childhood we have little past time to remember. We seem to come from darkness, taking our parents’ memories on faith for proof that there was time before our birth. As we grow toward old age, we have past time to play with—we know where we came from in usual terms—and the darkness that once seemed to stretch behind our source or origin seems to be our destination. Certainly an examination of the mind and reality from the standpoint of old age will be invaluable.”

“I believe a great memory must be involved here, one that on deeper levels is coupled with a shortening of time as we think of it. Seth-Jane’s abilities remind me of material I wrote recently on how certain portions of the psyche must very shrewdly and carefully construct dreams in advance, so when the dreams are played back they render just the right messages to the other part or parts of the psyche that need them. I’m not being contradictory here when I write that dreams are also spontaneous productions.”