“Seth material” search engine (Jane Roberts)

Jane doesn’t often refer to such world events in her notes and journals, but we often talk about them. In fact, she made no notes of any kind in her 1980 journal from the middle of June to July 20, for a span of five weeks, but those two months were busy times for us professionally. In June, I started experimenting with paintings of my dream images, for use in a possible book—and this endeavor, I discovered, presented me with a whole set of challenges all by itself. I mailed the finished manuscripts for Mass Events and God of Jane to our publisher on July 2 and 18 respectively. During those times, however, I was extremely sorry to note that Jane’s physical symptoms—her difficulties “walking” and performing other routine tasks—were obviously becoming much worse.

By the fourth week in July, a few days after finishing God of Jane, Jane was reading over the 17 chapters she’d done on her third Seven novel, Oversoul Seven and the Museum of Time.³ She made notes for Seven Three, as she called it. Then she wrote in her journal on the 24th: “I was looking over Seven Three for the first time in 14 months when sub rights called about the movie contract for the first Seven—so that’s no coincidence! May finish the third Seven next. Pleased with what I’ve read so far!”

Jane’s worsening situation through June and July, then, prepared her to accept my suggestion that Seth could help her. She put aside the first session for Chapter 9 of Dreams, and began Seth’s sessions on the magical approach to reality. As Seth remarked on August 6, when he gave his first session on the subject: “When Ruburt finished his project [God of Jane], he found himself with all of that time that was supposed to be used. He also became aware of his limitations, physically speaking: There was not much, it seemed, he could do but work, so he took the rational approach—and it says that to solve the problem you worry about it.”

What you are dealing with in many instances are exhibitions of various, sometimes quite diverse personality patterns of behavior—patterns that are, however, not as assimilated, or as smoothly operative as they are in the person you call normal. The patterns are seen in an exaggerated fashion, so that in some such cases at least you can gain glimpses of mental, emotional, and psychic processes that usually remain psychologically invisible beneath the more polished or “finished” social personality of the usual individual.

The person labeled schizophrenic, momentarily or for varying periods of time, lacks a certain kind of psychological veneer. This is not so much a basic lack of psychological finish as it is the adoption of a certain kind of (pause) psychological camouflage.

“When you were both intensely involved in your projects (Mass Events and God of Jane), just finished, you let much of your inner experience slide, relatively speaking. Since then, however, you have each been struck by the magical ease with which you seemed, certainly, to perceive and act upon information that you did not even realize you possessed.