“Seth material” search engine (Jane Roberts)

By the fourth week in July, a few days after finishing God of Jane, Jane was reading over the 17 chapters she’d done on her third Seven novel, Oversoul Seven and the Museum of Time.³ She made notes for Seven Three, as she called it. Then she wrote in her journal on the 24th: “I was looking over Seven Three for the first time in 14 months when sub rights called about the movie contract for the first Seven—so that’s no coincidence! May finish the third Seven next. Pleased with what I’ve read so far!”

The head of the Subsidiary Rights department at Prentice-Hall had informed Jane that four copies of the film option contract were in the mail.⁴ By the first of August we’d had our attorney check, sign, and notarize the contracts, Jane and I had signed them, and I’d returned them to our publisher. It has been an extremely slow-moving project, but The Education of Oversoul Seven may yet be a movie.

In the meantime, early in August Jane had laid Seven Three aside once more and returned to the book of poetry she’d had in progress for a year.⁶ And on August 15 she happily announced that she’d come up with the complete title she had been searching for all that time: If We Live Again: Or, Public Magic and Private Love. Her editor, Tam Mossman, enthusiastically agreed with her choice. Two days later, Jane began writing the first of the three essays she had planned for the book: “Poetry and the Magical Approach to Life.” Her choice of subject matter there was quite natural: She’d given her third session in that series two days earlier.