“Seth material” search engine (Jane Roberts)

While I am doing that I am also trying to introduce you, intuitively at least, to a larger framework, in which events straddle the reality that you know. Nevertheless, we will begin with issues in which it is very possible that contradictions may seem to occur, since your own definitions of an event are so simple that they ignore larger ramifications—ramifications that would reconcile any seeming contradictions in an overall greater unity of structure and action. Your imaginations will be of high value here, for they can often perceive unities that are not evident to the intellect—which you have trained to deal specifically with the evidence of the here and now.

Between the notes sounded there would be intervals, and those unsounded intervals would also be part of a massive unstated rhythm upon which the development of the entire sounded production was dependent. The unsounded intervals would also be events, of course, cues for action, triggers for response.

“In high school, I flunked algebra twice, then passed, and I think the same for geometry,” she said. “Most of it I couldn’t get—the teachers just went too fast. When I did understand something I’d get real excited. Sometimes I’d work out the correct answer to a problem, but do it the wrong way, so the teacher would mark it wrong—and that always made me furious. I even had trouble figuring out the cost of ounces of candy when I had that job in the five-and-dime store. I don’t know how many free pounds of candy I must have given out….”