“Seth material” search engine (Jane Roberts)

There are also what I will call genetic dreams, which are inspired directly by genetic triggering. These help form and direct consciousness as it exists in any given individual from before birth.

In one way or another, the living genetic system has an effect upon your cultural reality, and the reverse also applies. All of this is further complicated by the purposes and intents of the generations in any historical period, and the reincarnational influences.

Value fulfillment always implies the search for excellence—not perfection, but excellence. Excellence (pause) in any given area—emotional, physical, intellectual, intuitional, scientific—is reflected in other areas, and by its mere existence serves as a model for achievement. This kind of excellence need not be structured, then, into any one aspect of life, though it may appear in any aspect, and wherever it appears it is an echo of a spiritual and biological directive, so to speak. There are different historical periods, in your terms, where the species has showed what it can do—and what is possible in certain specific directions when the genetic and reincarnational triggers are touched and opened full blast, so that certain characteristics appear in their clearest, most spectacular light, to serve as individual models and as models for the species as a whole.

(10:09. I did have a question for Seth now—one made up of a number of questions, actually, and another one of my favorites. It’s easily the longest I’ve asked in a session. It grows out of Seth’s philosophy, obviously, yet it also reflects my own, and concerns man’s attempts to both fight and grasp his heritage. Here’s a condensation of what I said:

“The other day Jane and I were talking about people who maintain that the universe is an accident, or that it has no meaning, or that there’s no such thing as life after death, or that psychic abilities don’t exist—that sort of thing. People who call themselves skeptics, who seem to have a very rigid focus only within what they call physical reality. Those attitudes are very common. Some people have built careers around negative beliefs like that, and Jane and I were wondering how they react after physical death, when they discover that they still live—that they may have spent their professional lives maintaining belief systems which after death they begin to understand are quite wrong. How do they react? Are those individuals even aware of their earlier beliefs? Do they care what they used to think? Are they shocked, do they have feelings of regret or embarrassment, or what? Or is there such a variety of responses possible that you can’t answer the question simply? And how do such people react after death when they start to get glimmerings about the workings of reincarnation,³ for example?”

The variations are endless. On the whole, in the vast scheme of reincarnational reality, a belief in life’s meaning is by far the rule, and other excursions are indeed eccentric variations. Specifically, however, such life episodes will of course involve their “moments” of after-death realization—dismay, shock, or what have you.

1. There isn’t any such word as incalculatable, of course, but that’s what Jane came through with as she spoke for Seth. She obviously meant to say “incalculable.” Seldom indeed does she make such slips while delivering the Seth material—much less often than any of us may do in daily life.

2. Seth referred to a question I periodically ask Jane, but seldom discuss with others simply because they don’t seem to be interested: What’s happened to all of the Rembrandts? Why isn’t there at least one artist in all of the world painting today whose ability equals Rembrandt’s, and who uses that great gift to evoke the depths of compassion for the human condition as Rembrandt did? For in my opinion there isn’t such a one around. By extension, why isn’t there a Rubens or a Velázquez or a Vermeer operating now? My choices are personally arbitrary, of course—yet why don’t we have a Rembrandt contributing to our current reality? Just those four artists, whose lives spanned a period of only 98 years (from 1577 to 1675), explored human insight in powerful ways. To link the “great masters” with our species’ reincarnational intents and drives, as Seth mentions in this session, opens up a new field for understanding my question, and a very large and intriguing one indeed.

If there is no life after life,
then what cosmic spendthrift formed
the universe,
for Chance alone can’t be
that prolific, or fake an order in which
an accident of such proportions
as the creation of a world
seems so inevitable,
each random element
falling pat, into place,
and each consciousness promptly appearing
with body parts all neatly assembled—
only to be squandered,
falling apart, dissolving into nothingness
while Chance grinds out newer odds.

If there is no life after life,
then what a lack
of cosmic economy,
for nature strings one molecule
on to another so craftily
that each seed can grow a tree,
and contains the properties
of an entire forest,
while multiplications
are hidden everywhere.