1 result for (book:deavf2 AND session:912 AND stemmed:cultur)

DEaVF2 Chapter 7: Session 912, April 30, 1980 4/48 (8%) genetic triggering Rembrandt conceptualize fetus
– Dreams, "Evolution", and Value Fulfillment: Volume Two
– © 2012 Laurel Davies-Butts
– Chapter 7: Genetics and Reincarnation. Gifts and “Liabilities.” The Vast Sweep of the Genetic and Reincarnational Scales. The Gifted and the Handicapped
– Session 912, April 30, 1980 9:04 P.M. Wednesday

[... 6 paragraphs ...]

Again, the genetic system is a far more open one than is usually supposed. It not only contains and conveys information, but it also reacts to information from the physical and cultural worlds.

[... 14 paragraphs ...]

You have genetic systems, then, carrying (long pause) information that is literally incalculatable.1 Now: Through your technologies, through your physical experience, you are also surrounded by an immense array of communication and information of an exterior nature. You have your telephones, radios, televisions, your earth satellites—all networks that process and convey data. Those inner biological systems and the exterior ones may seem quite separate. They are intimately connected, however. The information you receive from your culture, from your arts, sciences, fields of economics, is all translated, decoded, turned into cellular information. Certain genetic diseases, for example, may be activated or not activated according to the cultural climate at any given time, as the relative safety or lack of it in that climate is interpreted through private experience.

In one way or another, the living genetic system has an effect upon your cultural reality, and the reverse also applies. All of this is further complicated by the purposes and intents of the generations in any historical period, and the reincarnational influences.

[... 1 paragraph ...]

Again, such times are closely bound with reincarnational intents that direct the genetic triggering, and that meet in the culture the further stimulus that may be required. The time of the great masters in the fields of painting and sculpture is a case in point (humorously and louder)—so you see, I am getting to one of your favorite questions,2 and we will continue the discussion at our next session.

[... 22 paragraphs ...]

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