1 result for (book:deavf2 AND session:912 AND stemmed:abil)
[... 10 paragraphs ...]
Such thoughts are like, now (underline “like, now”), electrical patterns that form their own magnets. (Long pause.) The ability to conceptualize is present in the fetus, and the fetus does conceptualize. The precise orientation of that conceptualizing, and the precise orientation of the thinking patterns, wait for certain physical triggers received from the parents and the environment after birth, but the processes of conceptualization and of thought are already established. This establishment takes place in genetic dreams (again, all intently).
[... 1 paragraph ...]
(Long pause at 9:22.) Give us a moment…. The ability to use language is also genetically built-in, through the precise orientation, again, with the physical triggering of the parents’ native language. Children learn such languages mentally long before they are physically capable of speaking them; but again, in genetically inspired dreams, children—or rather, infants—practice language. Before such infants hear their parents speak, however, they are in telepathic communication, and even in the fetus genetic dreams involve the coding and interpretation of language. Those dreams themselves inspire the physical formations necessary to bring about their own actualizations.
[... 1 paragraph ...]
They are the dreams that warn of famines or of wars. Such dreams, however, can also be triggered often, as in your own times, when the conscious mind is convinced that the survival of the species is threatened—and in such cases the dreams then actually represent man’s fears. Overanxiety, then, can confuse the genetic system, and in a variety of ways. The existence of each of the species is dependent upon trust, indeed a biological optimism, in which each species feels the freedom to develop the potentials of its members in relative safety, within the natural frameworks of existence. Each species comes into being not merely feeling a natural built-in trust in its own validity, but is literally propelled by exuberance in its ability to cope with its environment. It knows that it is uniquely suited to its place within life’s framework. The young of all species exhibit an unquenchable rambunctiousness. That rambunctiousness is built in.
[... 12 paragraphs ...]
“The other day Jane and I were talking about people who maintain that the universe is an accident, or that it has no meaning, or that there’s no such thing as life after death, or that psychic abilities don’t exist—that sort of thing. People who call themselves skeptics, who seem to have a very rigid focus only within what they call physical reality. Those attitudes are very common. Some people have built careers around negative beliefs like that, and Jane and I were wondering how they react after physical death, when they discover that they still live—that they may have spent their professional lives maintaining belief systems which after death they begin to understand are quite wrong. How do they react? Are those individuals even aware of their earlier beliefs? Do they care what they used to think? Are they shocked, do they have feelings of regret or embarrassment, or what? Or is there such a variety of responses possible that you can’t answer the question simply? And how do such people react after death when they start to get glimmerings about the workings of reincarnation,3 for example?”
[... 14 paragraphs ...]
2. Seth referred to a question I periodically ask Jane, but seldom discuss with others simply because they don’t seem to be interested: What’s happened to all of the Rembrandts? Why isn’t there at least one artist in all of the world painting today whose ability equals Rembrandt’s, and who uses that great gift to evoke the depths of compassion for the human condition as Rembrandt did? For in my opinion there isn’t such a one around. By extension, why isn’t there a Rubens or a Velázquez or a Vermeer operating now? My choices are personally arbitrary, of course—yet why don’t we have a Rembrandt contributing to our current reality? Just those four artists, whose lives spanned a period of only 98 years (from 1577 to 1675), explored human insight in powerful ways. To link the “great masters” with our species’ reincarnational intents and drives, as Seth mentions in this session, opens up a new field for understanding my question, and a very large and intriguing one indeed.
[... 4 paragraphs ...]