“Seth material” search engine (Jane Roberts)

The possibility of creative change must always be present to insure the species’ resiliency, and that resiliency can show in many ways—in conditions that you consider deformities, disabilities from birth, or in any physical variation from a hypothetical physical norm. You all look quite alike, with one head (amused), two arms and legs, and so forth, as a rule. Such differences or variations are very noticeable at a certain level, if you have more fingers than you are supposed to, or less, or two thumbs to a hand, or any other condition that is considered an abnormality.

At a smaller level of activity such variances of course escape your notice. You do not know if you have any errant genes unless their effects show themselves. At microscopic levels, in fact, no one fits any norm, and there is no way to predict with complete certainty the development of any genetic element. You can make group predictions, and overall make certain judgments, but other elements are involved, so that any particular genetic element cannot be pinned down in terms of its development. This is because its activity is also involved with relationships that do not show in any of your calculations.

Jane’s consciousness had left her sleeping body in the bedroom and traveled to her writing room at the back of the house. She’d encountered me there, in my own out-of-body state, and we engaged in a very animated conversation. Afterward she insisted that I’d been out-of-body too, although I have no conscious memory of such an event. We estimated that at the proper time I’d just quit painting for the morning and was washing my brushes at the bathroom sink—a routine task I perform each day, and one that could leave a portion of my psyche free to engage in other adventures. Yet, since I’d been awake while she slept, we speculated that those same habitual cleaning chores had also occupied me enough consciously to mask my awareness of what another part of me was up to.)