“Seth material” search engine (Jane Roberts)

(This morning I showed Jane the portrait in oils that I’m working on. It’s of one of my imaginary male heads, and I began it a week ago, following Seth’s material on art for me in the private session for April 9. [See Note 1 for the last session.] I explained to Jane that even while it’s incomplete, the painting contains improvements that I can already tell will be developed further in the next one. Once I start a work in a certain mode, it becomes somewhat set in that expression; this is inevitable if one is to ever complete the physical painting. Those sensed, additional improvements have to wait for the next effort: A creative tension between the present and the future is set up, then—one that I’ve often felt, an impatience to leap ahead to the next step even while I’m still working out the current one. I asked that Seth comment upon the painting tonight if he cared to.

Without being specific before the session, Jane said she felt “lots of stuff from Seth churning around.” Even though Monday’s session had been for Dreams, she was still nervous about going back to the book after being away from it for well over a month before that—yet she was ready to go.)

(10:01 P.M. “Boy,” Jane said, “I sensed a whole bunch of stuff on dreams, and when I reached that part on reincarnation and dreams, I knew that’s where I was supposed to get. I felt like it was great.” She’d begun to tune into Seth’s material on idiot savants just before the session. “In certain parts of the book, like in the beginning and tonight, I feel like I’ve gone at an accelerated rate, outside time somehow,” she said. “And at a few other times in between, too….”)