“Seth material” search engine (Jane Roberts)

While Jane has been enjoying many periods of ease and relaxation, she’s also had bouts of blueness over her general stiffness and walking difficulties [her “symptoms”]. But she’s finally dispensed with the last stages of her cold, which had turned out to be much heavier than mine, and is feeling a resurgence of energy for the sessions. Her own work has been going well for the most part, however—she expects to finish Chapter 12 of God of Jane tomorrow. Because of her concentration on that hook she hasn’t done much on her book of poetry, If We Live Again, since late February; and as I mentioned in the Preface for Dreams, she laid aside her third Seven novel, Oversoul Seven and the Museum of Time, in May 1979 when she began God of Jane. As for myself, I’ve progressed to working with Session 860 [for June 13, 1979], which bridges chapters 8 and 9 in Mass Events.

(Pause.) Perhaps an analogy will help. An actor throwing himself or herself into a role, even momentarily lost in the part, is still alive and functioning as himself or herself in a context that is larger than the play. The character in the play is seemingly alive (creatively) for the play’s duration, perception being limited to that framework, yet to play that role the actor draws upon the experience of his own life. He brings to bear his own understanding, compassion, artistry, and if he is a good actor, or if she is, then when the play is over the actor is a better person for having played the role.

Once the session was over, Billy and Mitzi came out to play.)