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DEaVF1 Chapter 6: Session 907, April 14, 1980 4/53 (8%) genetic determinism artist volition actor
– Dreams, "Evolution", and Value Fulfillment: Volume One
– © 2012 Laurel Davies-Butts
– Chapter 6: Genetic Heritage and Reincarnational Predilections
– Session 907, April 14, 1980 8:47 P.M. Monday

[... 4 paragraphs ...]

Today Jane reread her recent sessions for Dreams; she wanted to resume work on the book tonight, and picked up on it from Seth throughout the day. She told me bits of the material at times, but I didn’t retain them. [She also relayed to me Seth’s comments about an article on bird migration that I read to her while we were having lunch, but I lost those too.] Jane called me early for the session—at 8:20, while I was still busy with Mass Events. She wanted to get started: “I still feel nervous about going back to the book….”

As soon as she delivered the first phrase of the first full sentence for Chapter 6, I recalled that she’d accurately quoted it to me this afternoon, saying that that was the way Seth would start the session.)

[... 38 paragraphs ...]

(To me, loudly:) “You are still learning. Your work is still developing. How truly unfortunate you would be if that were not the case! There is always a kind of artistic dissatisfaction that any true artist feels with work that is completed, for he is always aware of the tug and pull, and the tension, between the sensed ideal and its manifestation. In a certain fashion the artist is looking for a creative solution to a sensed but never clearly stated problem or challenge, and it is an adventure that is literally unending. It must be one that has no clearly stated destination, in usual terms. In the most basic of ways, the artist cannot say where he is going, for if he knows ahead of time he is not creating but copying.

[... 3 paragraphs ...]

In a strange way, determinism has always seemed lacking as a concept to Jane and me—for if it means what it’s supposed to mean, then surely human beings set up the parameters within which determinism is said to operate. I see this as a contradiction of the notion that the individual is entirely at the mercy of his or her history and of nature. How can we be, if through the ages we’ve created that history and nature against which we react? In other words, on joint and individual scales, vast though they may be, we do create our joint and individual realities.

[... 3 paragraphs ...]

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