1 result for (book:deavf1 AND session:907 AND stemmed:live)
[... 3 paragraphs ...]
While Jane has been enjoying many periods of ease and relaxation, she’s also had bouts of blueness over her general stiffness and walking difficulties [her “symptoms”]. But she’s finally dispensed with the last stages of her cold, which had turned out to be much heavier than mine, and is feeling a resurgence of energy for the sessions. Her own work has been going well for the most part, however—she expects to finish Chapter 12 of God of Jane tomorrow. Because of her concentration on that hook she hasn’t done much on her book of poetry, If We Live Again, since late February; and as I mentioned in the Preface for Dreams, she laid aside her third Seven novel, Oversoul Seven and the Museum of Time, in May 1979 when she began God of Jane. As for myself, I’ve progressed to working with Session 860 [for June 13, 1979], which bridges chapters 8 and 9 in Mass Events.
[... 22 paragraphs ...]
—with great technical facility, regardless of family background, genetically speaking, and again, the reincarnational bank of characteristics accounts for such events. That inner reincarnational psychic structure is also responsible for triggering certain genetic messages while ignoring others, or for triggering certain combinations of genetic messages. In actuality, of course—say that I smiled—all time is simultaneous, and so all reincarnational lives occur at once.
[... 1 paragraph ...]
Now in the greater framework of reincarnational existences you choose your roles, or your lives, but the lines that you speak, the situations that you meet, are not predetermined. “You” live or exist in a larger framework of activity even while you live your life, and there is a rambunctious interplay between the yous in time and the you outside of time.
[... 4 paragraphs ...]
To some extent that emotional reality is also expressed at other levels—as your own is—in periods of dreaming, in which animals, like men, participate in a vast cooperative venture that helps to form the psychological atmosphere in which your lives must first of all exist.
[... 8 paragraphs ...]
“All creatures of whatever degree have their own appreciation of esthetics. Many such creatures merge their arts so perfectly into their lives that it is impossible to separate the two: the spider’s web, for example, or the beaver’s dam—and there are endless other examples. This is not ‘blind instinctive behavior’ at all, but the result of well-ordered spontaneous artistry.
[... 9 paragraphs ...]