“Seth material” search engine (Jane Roberts)

Reasoning, as you are familiar with it, is the result of mental or psychic processes functioning in a space-time context, and in a particular fashion. To some extent, then, reasoning—again, as you are familiar with it (underlined)—is the result of a lack of available knowledge. You try to “reason things out,” because the answer is not in front of you. If it were, you would “know,” and hence have no need to question.

The conditions of existence are largely determined by genetic structure. Free will must then of course function in accordance with genetic integrity. Genetic structure makes possible physical organisms through which life is to be experienced, and to a large extent that structure must determine the kind of action possible in the world, and the way or ways in which volition can be effectively expressed.

(Pause.) Perhaps an analogy will help. An actor throwing himself or herself into a role, even momentarily lost in the part, is still alive and functioning as himself or herself in a context that is larger than the play. The character in the play is seemingly alive (creatively) for the play’s duration, perception being limited to that framework, yet to play that role the actor draws upon the experience of his own life. He brings to bear his own understanding, compassion, artistry, and if he is a good actor, or if she is, then when the play is over the actor is a better person for having played the role.

1. These excerpts from the session for April 9 (which we hadn’t requested, by the way) indicate Seth’s response to discussions Jane and I had been having about our personal functions as artists, as well as the use of art generally in our chosen probable reality. As usual, Seth had added his own wider, penetrating views: