1 result for (book:deavf1 AND session:907 AND stemmed:characterist)
[... 17 paragraphs ...]
The beaver is not free to make a spider web. (Long pause.) In human beings the genetic structure largely determines physical characteristics such as height, color of eyes, color of hair, color of skin—and, of course, more importantly, the number of fingers and toes, and the other specific physical attributes of your specieshood. So physically, and on his physical attributes alone, a man cannot use his free will to fly like a bird, or to perform physical acts for which the human body is not equipped.
[... 2 paragraphs ...]
Now besides this physical genetic structure, there is an inner bank of psychic information that in your terms would contain the “past” history—the reincarnational history—of the individual. This provides an overall reservoir of psychic characteristics, leanings, abilities, knowledge, that is as much a part of the individual’s heritage as the genetic structure is a part of the physical heritage.
[... 5 paragraphs ...]
—with great technical facility, regardless of family background, genetically speaking, and again, the reincarnational bank of characteristics accounts for such events. That inner reincarnational psychic structure is also responsible for triggering certain genetic messages while ignoring others, or for triggering certain combinations of genetic messages. In actuality, of course—say that I smiled—all time is simultaneous, and so all reincarnational lives occur at once.
[... 16 paragraphs ...]
“Art is not a specifically human endeavor, though man likes to believe that this is so. Art is above all a natural characteristic. I try to straddle your definitions—but flowers, for example, in a fashion see themselves as their own artistic creations. They have an esthetic appreciation of their own colors—a different kind, of course, than your perception of color. But nature seeks to outdo itself in terms that are most basically artistic, even while those terms may also include quite utilitarian purposes. The natural man, then, is a natural artist. In a sense, painting is man’s natural attempt to create an original but coherent, mental yet physical interpretation of his own reality—and by extension to create a new version of reality for his species.”
[... 8 paragraphs ...]