“Seth material” search engine (Jane Roberts)

The reasoning mind is a uniquely human and physical phenomenon. (Long pause.) It depends upon conscious thinking, problem-solving methods, and it is a natural human blossoming, a spectacular mental development in its own framework of activity.

(Still slowly at 8:59:) Other creatures have their own kinds of mental activity, however. They also have different kinds of immediate perceptions of reality. All species are united by their participation in emotional states, however. It is not just that all species of life have feeling, but that all participate in dimensions of emotional reality. It has been said that only men have a moral sense, that only men have free will—if indeed free will is possible at all. The word “moral” has endless connotations, of course. Yet animals have their own “morality,” their own codes of honor, their own impeccable senses of balance with all other creatures. (Pause.) They have loving emotional relationships, complicated societies,³ and in a certain sense at least—an important one—they also have their arts and sciences. But those “arts and sciences” are not based upon reasoning, as you understand it.

The beaver is not free to make a spider web. (Long pause.) In human beings the genetic structure largely determines physical characteristics such as height, color of eyes, color of hair, color of skin—and, of course, more importantly, the number of fingers and toes, and the other specific physical attributes of your specieshood. So physically, and on his physical attributes alone, a man cannot use his free will to fly like a bird, or to perform physical acts for which the human body is not equipped.

The body is equipped to perform far better, in a variety of ways, than you give it credit for, however—but the fact remains that the genetic structure focuses volition. The genetic apparatus and the chromosomal messages actually contain far more information than is ever used. That genetic information can, for example, be put together in an infinite number of ways. (Long pause.) The species cares for itself in the event of any possible circumstance, so that the genetic messages also carry an endless number of triggers that will change genetic combinations if this becomes necessary.

(Pause.) Perhaps an analogy will help. An actor throwing himself or herself into a role, even momentarily lost in the part, is still alive and functioning as himself or herself in a context that is larger than the play. The character in the play is seemingly alive (creatively) for the play’s duration, perception being limited to that framework, yet to play that role the actor draws upon the experience of his own life. He brings to bear his own understanding, compassion, artistry, and if he is a good actor, or if she is, then when the play is over the actor is a better person for having played the role.

(Long pause.) The you inside of time adopts a reasoning mind. It is a kind of creative (underlined) psychological face that you use for the purposes of your life’s drama. This psychological face of our analogy has certain formal, ceremonial features, so that you mentally and psychologically tend to perceive only those data that are available within the play’s formal structure. You cannot see into the future, for example, or into the past.