“Seth material” search engine (Jane Roberts)

Dictation. (Long pause.) At the time of this awakening man did experience, then, some sense of separation from his dream body, and from his own inner reality—the world of his dreams—but he was still far more aware of that subjective existence than you are now.

The practical nature of his own dreams was also more apparent, for again, his dreams sent him precise visions as to where food might be located, for example, and for some centuries there were human migrations of a kind that now you see the geese make. All of those journeys followed literal paths that were given as information in the dream state. [But] more and more man began to identify himself with his exterior environment. He began to think of his inner ego almost as if it were a stranger to himself. It became his version of the soul, and there seemed to be a duality—a self who acted in the physical universe, and a separate spiritlike soul that acted in an immaterial world.

This early man (and early woman) regarded the snake as the most sacred and basic, most secretive and most knowledgeable of all creatures. In that early experience it seemed, surely, that the snake was a living portion of the earth, rising from the bowels of the earth, rising from the hidden source of all earth gods. Men watched snakes emerge from their holes with wonder. The snake was then—in your terms, now (underlined)—both a feminine and masculine symbol. It seemed to come from the womb of the earth, and to possess the earth’s secret wisdom. Yet also, in its extended form particularly, it was the symbol of the penis. It was important also in that it shed its skin, as man innately knew he shed his own bodies.

The inner and outer egos do not have a cementlike relationship, but can interrelate with each other in almost infinite fashions, still preserving the reality of physical experience, but varying the accents put upon it by the inner areas of subjective life. Even the bare-seeming facts of history are experienced far differently according to the symbolic content within which they are inevitably immersed. A war, in your terms, can be practically experienced as a murderous disaster, a triumph of savagery—or as a sublime victory of the human spirit over evil.

(Long pause, then very intently:) We will return to the subject of war later on. I want to mention here, however, that man is not basically endowed with “warlike characteristics.” He does not naturally murder. He does not naturally seek to destroy his own life or [the lives of] others. There is no battle for survival—but while you project such an idea upon natural reality, then you will read nature, and your own experiences with it, in that fashion.

Man does have an instinct and a desire to live, and he has an instinct and a desire to die. The same applies to other creatures. In his life [each] man is embarked upon a cooperative venture with his own species, and with the other species, and dying he also in that regard acts in a cooperative manner, returning his physical substance to the earth. (Pause.) Physically speaking, man’s “purpose” is to help enrich the quality of existence in all of its dimensions. Spiritually speaking, his “purpose” is to understand the qualities of love and creativity, to intellectually and psychically understand the sources of his being, and to lovingly create other dimensions of reality of which he is presently unaware. (Pause.) In his thinking, in the quality of his thoughts, in their motion, he is indeed experimenting with a unique and a new kind of reality, forming other subjective worlds which will in their turn grow into consciousness and song, which will in their turn flower from a dream dimension into other ones. Man is learning to create new worlds. In order to do so he has taken on many challenges.

Sleepwalking was once, in that beginning, a very common experience—far more so than now—in which the inner self actually taught the physical body to walk, and hence presented the newly emerged physically oriented intellect from getting in its own way, asking too many questions that might otherwise impede the body’s smooth spontaneous motion.

“You wanted some affirmation of your body’s vitality, of its resilience and recuperative energies. You also wanted some reassurance that you could operate as an artist as long as you chose in this life. You used the incident of the optometrist’s notice to give yourself a very fine lesson, for in the back of your mind you did indeed worry and wonder that your eyes were becoming tired. Under usual circumstances, those “symptoms” would be interpreted as signs of difficulty. You discovered instead that the so-called symptoms are signs that your glasses have become too strong because your eyesight has not simply held its own, but most remarkably improved, and in a way this is medically demonstrable.