“Seth material” search engine (Jane Roberts)

The light of your questions (pause) is, in its way (underlined), an apport from that other inner universe. In your world light has certain properties and limits. It is physically perceived by the eyes, and to a far lesser degree by the skin itself. In your world light comes from the sun. It has been an exterior source, and in your world light and dark certainly appear to be opposites.

Now: The lamplight episode. Here you did as you supposed. You viewed that inner light, but the lampshades had two purposes: one, as you surmised, to give you a comforting image, literally to shade your eyes. Ruburt was correct, however, in seeing the connection between the lampshades and the Nazi experiments (in World War II) with human skin. The movie (on television last night), about cloning and Nazi atrocities, had made you wonder about the nature of life once again, and man’s immortality. The connection with cloning came out in the lampshades made of (human) skins, in the old news stories—though your lampshades merely stood for those, and were of fabric. The connection was beneath, however, and also represented your feeling that even those people tortured to death did live again. They were not extinguished. Their consciousnesses were indeed like bulbs, say, turned on in new lamps. The lights connected life and death, then. The lights also represented pure knowing.