“Seth material” search engine (Jane Roberts)

It is not [so much] that such developments are beyond man’s capacity as it is that they involve manipulations impossible to make for all practical purposes, from his present standpoint. He could theoretically move to a better vantage point in the twinkling of an eye, relatively speaking, but for now we must largely use analogies. Those analogies may lead you or Ruburt, or a few others, to a more advantageous vantage point, so that certain leaps become possible—but those leaps, you see, are not just leaps of intellect but of will and intuition alike, fused and focused.

Now: The lamplight episode. Here you did as you supposed. You viewed that inner light, but the lampshades had two purposes: one, as you surmised, to give you a comforting image, literally to shade your eyes. Ruburt was correct, however, in seeing the connection between the lampshades and the Nazi experiments (in World War II) with human skin. The movie (on television last night), about cloning and Nazi atrocities, had made you wonder about the nature of life once again, and man’s immortality. The connection with cloning came out in the lampshades made of (human) skins, in the old news stories—though your lampshades merely stood for those, and were of fabric. The connection was beneath, however, and also represented your feeling that even those people tortured to death did live again. They were not extinguished. Their consciousnesses were indeed like bulbs, say, turned on in new lamps. The lights connected life and death, then. The lights also represented pure knowing.

(9:44.) Give us a moment. … (A one-minute pause.) These units of consciousness, however, add themselves up to form psychological beings far greater in number than, say, the number of stars in [your] galaxy (over 400 billion of them), and each of those psychological formations has its own identity—its own soul if you prefer—its own purpose in the entire fabric of being.