“Seth material” search engine (Jane Roberts)

(All with emphatic rhythm:) The inner self was too aware of its own multidimensionality, so in your terms it gave psychological birth to itself through the body in space and time. It knew itself as a physical creature. That portion of the self is the portion you recognize as your usual conscious self, alive within the scheme of seasons, aware within the designs of time, caught transfixed in moments of brilliant awareness, with civilizations that seem to come and go. That is the self that is alert in the dear preciseness of the moments, whose physical senses are bound to light and darkness, sound and touch. That is the self that lives the life of the body.

(All very intently:) That environment, in your terms, certainly includes suffering. If joy has always been one of the characteristics of earth experience, so has suffering, and the subject will be covered in this book. Here, however, I only want to mention one facet, and that is the importance of physical sensation, of whatever kind—for the life of the body provides you, among all things, with a life of sensation, of feeling, a spectrum that must include the experience of all possible sensations within its overall range.

Now as you will see, all creatures, regardless of their degree, can and do choose, within their spheres of reality, those sensations that they will experience—but to one extent or another (underlined) all sensations are felt. We will later discuss the part of the mind and its interpretation, for example, of painful stimuli, but I want to make the point that those attracted to physical life are first and foremost tasters of sensation. Outside of that, basically, there are all kinds of mental distinctions made [among] stimuli. The body is made to react. It is made to feel life and vitality by reacting to an environment that is not itself, by encountering what you might call natural stress. The body maintains its equilibrium by reacting against gravity, by coming in contact with other bodies, by changing its own sensations, by glorifying in the balance between balance and off-balance.