“Seth material” search engine (Jane Roberts)

(“Thank you. The same to you,” I said, knowing that Seth’s understanding of “time” was certainly much different than ours.)

For some time, in your terms, the sleepwalkers remained more or less at that level of activity, and for many centuries they used the surface of the earth as a kind of background for other activity.Their real life was what you would now call the dreaming one. They worked mentally while asleep, constructing in their individual minds and in their joint mental endeavors (long pause) all of the dazzling images that would later become a mental reservoir from which men could draw. In that multidimensional array, consciousness mentally learned to form itself into EE units, atoms and molecules, electrons and chromosomes. It mentally formed the patterns through which all physical life could flow. The world then came into physical existence. Those units of consciousness are indestructible and vitalized, regardless of the forms they take, and while men’s forms were dream images, consciousness spun forms into physical material.

(Long pause.) There is no place where consciousness stops and the environment begins, or vice versa. Each form of life is created along with each other form—environment and organism in those terms creating each other. After forms were fully physical, however, all species operated as sleepwalkers for many centuries, though on the scale that existed then the passage of time was not considered in the same fashion. During that period the work of wedding nonphysical consciousness to matter was accomplished. Effects of gravity, for example, were stabilized. The seasons took on the rhythms best suited to the creatures in various locations. The environment and the creatures accommodated each other.

Up until then, the main communications had followed the characteristic patterns of units of consciousness (long pause), each unit knowing its relationship to all others upon the planet. Creatures relied upon inner senses while learning to operate the new, highly specific physical ones that pinpointed perception in time and place. This pinpointing of perception was of vital importance, for with the full arousal of consciousness in flesh, intersections with space and time [had to be] impeccable.

Dream bodies became physical, and through the use of the senses tuned to physical frequencies—frequencies of such power and allure that they would reach all creatures of every kind, from microbe to elephant, holding them together in a cohesive web of space-and-time alignment.

(All with a rolling intensity:) I must of necessity tell this story in serial terms, but the world and all of its creatures actually come together like some spontaneously composed, ever-playing musical composition in which the notes themselves are alive and play themselves, so that the musicians and the notes are one and the same, the purpose and the performance being one, with each note played continuing to strike all of its own probable versions, forming all of its own probable compositions while at the same time taking part in all of the themes, melodies, and notes of the other compositions—so that each note, striking, defines itself, and yet also exists by virtue of its position in the composition as a whole.

In a way, your world follows its own theme in creativity’s composition. You want to know where you came into the musical production, so to speak. (Pause.) I use a musical analogy here, if a simple one, to point out that we are also dealing with frequencies of perception. You are tuned into earth’s orchestration [you might say], and your perception of time is simply the result of habits—habits of perception that you had to learn in the beginning of the world. And you learned those habits as your physical senses gradually became more alert and specific.

(9:47.) You “timed” yourselves—but greater perceptions always appeared in the background of your consciousnesses and in the dream state. It is the great activity of the dream state that allows you, as psychological and physical creatures, to recognize and inhabit the world that you know (louder).

(With considerable humor, staring at me:) I thought I gave you my 1980 speech last time.

(9:52 P.M. Jane said she’d been pretty far out during the session—then added later while we talked that she was picking up from Seth information on the beginning of our own world, species and civilizations that he intended to give in the next session. Seth, then, was capable of coming through with that material right now. Only Jane’s and my own conventions of time and habit, even concerning a phenomenon as unusual as the sessions, stopped him from doing so. Inevitably, the session Jane delivers for Seth next Monday evening will be somewhat different from the one she could produce tonight. There are many interesting implications here.)