“Seth material” search engine (Jane Roberts)

For some time, in your terms, the sleepwalkers remained more or less at that level of activity, and for many centuries they used the surface of the earth as a kind of background for other activity.Their real life was what you would now call the dreaming one. They worked mentally while asleep, constructing in their individual minds and in their joint mental endeavors (long pause) all of the dazzling images that would later become a mental reservoir from which men could draw. In that multidimensional array, consciousness mentally learned to form itself into EE units, atoms and molecules, electrons and chromosomes. It mentally formed the patterns through which all physical life could flow. The world then came into physical existence. Those units of consciousness are indestructible and vitalized, regardless of the forms they take, and while men’s forms were dream images, consciousness spun forms into physical material.

You read your own consciousness now in a kind of vertical fashion, identifying only with certain portions of it, and it seems to you that any other organization of perception, any other recognition of identity, would quite necessarily negate your own or render it inoperable. In the beginning of the world there were numberless groupings, however, and affiliations of consciousness, many other organizations of identity that were recognized, as well as the kind of psychological orientation you have now—but [your] kind of orientation was not the paramount one. While, generally speaking, earth’s species existed from the beginning in the forms by which you now know them, consciousness of species was quite different, and all species were much more intimately related through various kinds of identification that have since gone into the underground of awareness.

(9:05.) Initially, then, the world was a dream, and what you think of as waking consciousness was the dreaming consciousness. In that regard the earth’s entire environment was built mentally, atom by conscious atom—each atom, again, being initially formed by units of consciousness. I said that these units could operate as entities, and as forces, so we are not speaking of a mental mechanics but of entities in the true meaning of the word: entities of unimaginable creative and psychic properties, purposeful fragments propelled from the infinite mind as that mind was filled with the inspiration that gave light to the world. Those entities, in your terms so ancient, left fragments of themselves in trance (underlined), so to speak, that form the rocks and hills, the mountains, the air and the water, and all of the elements that exist on the face of the earth.

In a way, your world follows its own theme in creativity’s composition. You want to know where you came into the musical production, so to speak. (Pause.) I use a musical analogy here, if a simple one, to point out that we are also dealing with frequencies of perception. You are tuned into earth’s orchestration [you might say], and your perception of time is simply the result of habits—habits of perception that you had to learn in the beginning of the world. And you learned those habits as your physical senses gradually became more alert and specific.