“Seth material” search engine (Jane Roberts)

(Long pause.) There is no place where consciousness stops and the environment begins, or vice versa. Each form of life is created along with each other form—environment and organism in those terms creating each other. After forms were fully physical, however, all species operated as sleepwalkers for many centuries, though on the scale that existed then the passage of time was not considered in the same fashion. During that period the work of wedding nonphysical consciousness to matter was accomplished. Effects of gravity, for example, were stabilized. The seasons took on the rhythms best suited to the creatures in various locations. The environment and the creatures accommodated each other.

Up until then, the main communications had followed the characteristic patterns of units of consciousness (long pause), each unit knowing its relationship to all others upon the planet. Creatures relied upon inner senses while learning to operate the new, highly specific physical ones that pinpointed perception in time and place. This pinpointing of perception was of vital importance, for with the full arousal of consciousness in flesh, intersections with space and time [had to be] impeccable.

Dream bodies became physical, and through the use of the senses tuned to physical frequencies—frequencies of such power and allure that they would reach all creatures of every kind, from microbe to elephant, holding them together in a cohesive web of space-and-time alignment.

(9:30.) Now (underlined): When he dreamed—when he dreamed (underlined)—man actually returned to a state prior to waking, from which his physical life itself had emerged—only now he was a new creature, a new kind of consciousness, and so were all of the other species. In dreams all of the species familiarized themselves with their old affiliations, and they read their own identities in different fashions. “They remembered how it was.” They remembered that they formed each other.

(All with a rolling intensity:) I must of necessity tell this story in serial terms, but the world and all of its creatures actually come together like some spontaneously composed, ever-playing musical composition in which the notes themselves are alive and play themselves, so that the musicians and the notes are one and the same, the purpose and the performance being one, with each note played continuing to strike all of its own probable versions, forming all of its own probable compositions while at the same time taking part in all of the themes, melodies, and notes of the other compositions—so that each note, striking, defines itself, and yet also exists by virtue of its position in the composition as a whole.

(9:47.) You “timed” yourselves—but greater perceptions always appeared in the background of your consciousnesses and in the dream state. It is the great activity of the dream state that allows you, as psychological and physical creatures, to recognize and inhabit the world that you know (louder).