“Seth material” search engine (Jane Roberts)

There may be other terms I could use, in some ways more advantageous than the term, “the dream world.” I am emphasizing this dream connection, however, because the dream state is one familiar to each reader, and it represents your closest touchstone to the kind of subjective reality from which your physical world emerges. The dream state appears chaotic, shadowy, suspicious, or even meaningless, precisely because in life you are so brilliantly focused in daily reality that dreams appear to be staticky objective background noise, left over from when you sleep. But that is how physical experience would seem to someone not focused in it, or inexperienced with its organization.

The collection will include our family trees; my father’s journals and photographs; Jane’s and my own grade-school, high-school, college, and family data; our youthful creative efforts in writing and painting; the comic books and other commercial artwork I produced; our early published and unpublished short stories; my original notes for the sessions; session transcripts, whether published or unpublished, “regular,” private, or from ESP class; tapes, including those made in class of Jane speaking for Seth and/or singing in Sumari; our notes, dream records, journals, and manuscripts; our sketches and paintings; Jane’s extensive poetry; our business correspondence; books, contracts, and files; newsletters about the Seth material, published in the United States and abroad (independently of Jane and me); the greater number of letters from readers—in short, a mass of material showing how our separate beginnings flowed together and resulted in the production of a joint lifework.