“Seth material” search engine (Jane Roberts)

However, if objective proof of that nature is considered the priority for facts, then as you know science cannot prove its version of the [universe’s] origin either. It only sets up an hypothesis, which collects about it all data that agree, and again ignores what does not fit. Moreover, science’s thesis meets with no answering affirmation in the human heart—and in fact arouses the deepest antipathy, for in his heart man well knows his own worth, and realizes that his own consciousness is no accident.⁵ The psyche, then, possesses within itself an inner affirmation, an affirmation that provides the impetus for physical emergence, an affirmation that keeps man from being completely blinded by his own mental edifices (all with much emphasis and fast delivery.

There is a part of man that Knows, with a capital K. That is the portion of him, of course, that is born and grows to maturity even while the lungs or digestive processes do not read learned treatises on the body’s “machinery,” ⁶ so in our book we will hope to arouse within the reader, of whatever persuasion, a kind of subjective evidence, a resonance between ideas and being. Many people write, saying that they feel as if somehow they have always been acquainted with our material—and of course they have, for it represents the inner knowing within each individual. (Pause.) In a fashion, creative play is your human version of far greater characteristics from which your universe itself was formed. There are all kinds of definite, even specific, subjective evidence for the nature of your own reality—evidence that is readily apparent once you really begin to look for it, particularly by comparing the world of your dreams with your daily life.

In other words, subjective play is the basis for all creativity, of course—but far more, it is responsible for the great inner play of subjective and objective reality.