“Seth material” search engine (Jane Roberts)

(Five scheduled session dates have passed since we held the 884th session three weeks ago; we missed four of those, but did hold a private, or deleted, session on October 10. We’ve been busy. Jane has been working hard on her God of Jane. He’s also written a number of poems. [Some of them are on reincarnation, and I plan to present them when Seth gets into that subject in Dreams.] On October 7, a Sunday, Jane saw for the first time the work Sue Watkins has done on Conversations With Seth, the book she’s writing about the ESP classes Jane used to hold. The project is turning out to be much longer than Sue had thought it would be, and she still has a few chapters to go. The two women spent the day going over the manuscript, and I had a chance to read some of it also. Later Sue laughingly admitted that she’d been nervous at first, imagining all kinds of adverse reactions either Jane or I might have—but she’s doing a fine job. She has complete freedom to do Conversations in her own way. The next day Jane began making notes for the introduction she’s to write for the book.

Today, Jane wrote three more excellent little poems, all of which I hope to eventually see published.² I think she grumbled the whole time she was doing them, though, since she kept at herself because she wasn’t working on God of Jane.

Then tonight she began writing “a fun thing” about our cats, Billy and Mitzi, who are brother and sister just 10 months old now: “In the beginning, Billy and Mitzi weren’t even kittens yet, but only bits of sky and cloud that wanted to be pussycats. Not that anyone knew what cats were, because God hadn’t created any yet. If it hadn’t been for Billy and Mitzi, cats might not exist at all….” The story sprang out of the hilarious way she’s taken to addressing Mitzi in regard to that cat’s gifts from heaven; I’ve been telling her that the affair would make a great children’s book.³ In the several pages she wrote this evening Jane presented her material quite humorously, in a manner reminiscent of, yet different from, her second Seven novel, The Further Education of Oversoul Seven, and her Emir.⁴

Many of the ideas in our current book will be accepted by scientists most dubiously, though some, of course, will grasp what I will be saying. It is of course very difficult for you, because (pause) the deepest truths cannot be physically proven. (Pause.) Science is used to asking quite specific questions, and as Ruburt wrote recently (in God of Jane) it usually comes up with very specific answers—even if those answers are wrong (with some humor).

As for Ruburt, he became overconcerned about work because of the contracts (for Mass Events and God of Jane, which we have yet to sign with Prentice-Hall), and the foreign hassles. It would be nice if you took it for granted that all of those issues were also being creatively worked out to your advantage. He is still somewhat afraid of relaxing. It makes him feel guilty. His body is responding, however, so let him remember that creativity is playful, and that it always surfaces when he allows his mind to drop its worries.

Jane herself commented on these questions in her own way recently (as Seth indicated a bit earlier this evening). Her notes will end up in one of the later chapters of God of Jane, which she’s still roughing out:

6. Seth’s passage reminded both of us of “If Toes Had Eyes,” a poem Jane wrote some four months ago, which she’s using in an earlier chapter of God of Jane. Here’s the first verse: