1 result for (book:deavf1 AND session:881 AND stemmed:time)
[... 1 paragraph ...]
Today my wife was once again very much at ease for most of a day—so much so, in fact, that she slept several times. Many beneficial muscular changes appear to be taking place in her body. After supper I suggested that if she had a session tonight Seth could comment upon her current series of relaxations. At 8:30 she called me out of my writing room. Now she was nervous, for she felt that Seth was ready to dictate his Preface for Dreams.
I especially liked the first sentence Seth offered for his latest book. He promised something Jane and I could really focus upon … an exciting yet thoughtful time of “work” and new information. Quietly, with many pauses, a few of which are indicated:)
[... 5 paragraphs ...]
Someday, in terms of time, there will be a thick book. Although the manuscript does not yet exist in a physical book, the book itself, the ideas and words, are in the most important fashions quite real now. Certain qualities are implied in all kinds of creativity that are generally overlooked, and so they are not apparent. The kind of creative procedures we are involved in can serve to bring some of those qualities to light, and to shed illumination upon many aspects of the human psyche that usually remain hidden.
I speak through Ruburt—or through Jane Roberts, if you prefer. Ruburt has his own creative abilities, and uses them well, and it is to a large extent because of those abilities that our contact first took place (in December 1963). Scientists like to say that if you look outward at the universe, you look backward in time. That statement is only partially true. When you move inward through the psyche, however, you do begin to thrust, in your terms, “backward” toward the origins of existence. Your creative abilities do not simply allow you to paint pictures, to tell or write stories, to create sculpture or architecture. They do not simply provide you with a basis for your religions, sciences, and civilizations. They are your contact with the source of existence itself.
[... 2 paragraphs ...]
You are filled with questions about when and where the various species appeared, and how the rocks were formed, when some reptiles grew wings, when some fish emerged from the oceans and learned to breathe air, and you are bound to wonder what happened in the times in between.
[... 7 paragraphs ...]
I hope to show that all species are motivated by what I call value fulfillment, in which each seeks to enhance the quality of life for itself and for all other species at the same time.
[... 17 paragraphs ...]
“Today, Ruburt’s body wanted to relax. He has been doing very well, and he tried to approve, but since he lost work time yesterday, his approval barely went skin deep (louder).
[... 1 paragraph ...]
“These sessions themselves involve the highest levels of creative productivity, at many levels, so he should refresh himself painting or doing whatever he likes, for that refreshment adds to his creativity, of course. He will finish his book (God of Jane), and do beautifully with it. He should follow the rhythms of his own creativity without being overly concerned with the time. For a while, again, have him write three hours of free writing, and paint or whatever. His book will be provided for. You can see how your own creativity is emerging in the notes for Mass Events. Granted, you need time to write physically, but the basic creativity has its own ‘time.’
[... 6 paragraphs ...]