“Seth material” search engine (Jane Roberts)

I speak through Ruburt—or through Jane Roberts, if you prefer. Ruburt has his own creative abilities, and uses them well, and it is to a large extent because of those abilities that our contact first took place (in December 1963). Scientists like to say that if you look outward at the universe, you look backward in time. That statement is only partially true. When you move inward through the psyche, however, you do begin to thrust, in your terms, “backward” toward the origins of existence. Your creative abilities do not simply allow you to paint pictures, to tell or write stories, to create sculpture or architecture. They do not simply provide you with a basis for your religions, sciences, and civilizations. They are your contact with the source of existence itself.

It’s impossible, of course, for us not to have a sense of responsibility about the sessions. I’m sure Seth knows this, but it’s obvious that he wants us to maintain a light rather than a heavy psychological touch. Sometimes that’s rather difficult to achieve, though. Recently we received an excellent, rather lengthy paper about our work in which the writer, a psychologist, discussed among other things the import of Seth’s material, as well as various explanations of his origin. We think about those subjects too, but in order to have the sessions on a week-to-week basis we concentrate upon the simple creative achievement embodied in each session itself, and let go of the larger implications. Those implications are usually in the background of our joint awareness, however.)

2. I’m presenting the private portion of tonight’s session for two reasons: Seth comments a bit upon the creative production of the sessions, and he shows how we can habitually impose upon our physical selves our conscious ideas of what we “should be doing”—not paying enough attention to our impulsive, natural, bodily messages.