“Seth material” search engine (Jane Roberts)

I especially liked the first sentence Seth offered for his latest book. He promised something Jane and I could really focus upon … an exciting yet thoughtful time of “work” and new information. Quietly, with many pauses, a few of which are indicated:)

(9:56 P.M. “I could feel him around when I was doing the supper dishes,” Jane said as soon as she was out of trance. “And I could feel him around more and more after that, but I still get cold feet when I know he’s going to start a new book…. Was it good?”

I nodded a very pleased yes. “He said this one will be his most ambitious project to date.”

It’s impossible, of course, for us not to have a sense of responsibility about the sessions. I’m sure Seth knows this, but it’s obvious that he wants us to maintain a light rather than a heavy psychological touch. Sometimes that’s rather difficult to achieve, though. Recently we received an excellent, rather lengthy paper about our work in which the writer, a psychologist, discussed among other things the import of Seth’s material, as well as various explanations of his origin. We think about those subjects too, but in order to have the sessions on a week-to-week basis we concentrate upon the simple creative achievement embodied in each session itself, and let go of the larger implications. Those implications are usually in the background of our joint awareness, however.)

2. I’m presenting the private portion of tonight’s session for two reasons: Seth comments a bit upon the creative production of the sessions, and he shows how we can habitually impose upon our physical selves our conscious ideas of what we “should be doing”—not paying enough attention to our impulsive, natural, bodily messages.

“Today, Ruburt’s body wanted to relax. He has been doing very well, and he tried to approve, but since he lost work time yesterday, his approval barely went skin deep (louder).

“When you mentioned his ink sketches he instantly wanted to play at painting again, but felt, guiltily, that he should not. He forgot, once again, that the creative self is aware of his entire life, and that his impulses have a creative purpose.

“These sessions themselves involve the highest levels of creative productivity, at many levels, so he should refresh himself painting or doing whatever he likes, for that refreshment adds to his creativity, of course. He will finish his book (God of Jane), and do beautifully with it. He should follow the rhythms of his own creativity without being overly concerned with the time. For a while, again, have him write three hours of free writing, and paint or whatever. His book will be provided for. You can see how your own creativity is emerging in the notes for Mass Events. Granted, you need time to write physically, but the basic creativity has its own ‘time.’

(“What was that feeling he had today in his chest, back, and body, like an electric pulsation?”)

“Because he did not approve of his own relaxation. He put brakes upon it.”