“Seth material” search engine (Jane Roberts)

(Saturday afternoon Jane finished typing the final version of her Introduction for Mass Events, and yesterday morning I mailed it to Tam Mossman at Prentice-Hall.

I never want any of my remarks to be construed in such a fashion that it seems I am in any way negating the fullness, validity, and magnificence of physical existence. I do want to point out, however, that a state you usually call dreaming is but a dim indication of an inner reality of events (intently), an inner order of events from which the physical world emerges. I hope to show how the nature of dreams has helped shape man’s consciousness. I hope to show that consciousness forms the environment, and not the other way around (with many gestures).

1. Recently, I bought two books written by “scientific creationists.” The authors strongly disagree with ideas of evolution. I’ve read halfway through one of the books, and have discussed it with Jane to some extent. After the session I suggested that she start reading it also, in order to acquaint herself with theories radically different from the “ordinary” scientific ones espoused by evolutionists. Very briefly: The creationists believe that God created the universe (including the earth, obviously) around 10,000 years ago. They maintain that all of the earth’s living forms have remained essentially unchanged since that prime creative event; they can account for the disappearance of the dinosaurs, for example, and the vast number of other life forms we no longer see around us. On the other hand, evolutionary science believes that the universe came into being between 10 billion and 20 billion years ago; that the earth itself is about 4.6 billion years old, and that according to the fossil record and other evidence, its living organisms first arose and began evolving at least 3.5 billion years ago. Science also believes, however, that the study of a “first cause” involves not scientific but philosophical and theological questions. For instance, why did the universe we think we know so well come into existence at all, and what was the cause of that beginning?

“These sessions themselves involve the highest levels of creative productivity, at many levels, so he should refresh himself painting or doing whatever he likes, for that refreshment adds to his creativity, of course. He will finish his book (God of Jane), and do beautifully with it. He should follow the rhythms of his own creativity without being overly concerned with the time. For a while, again, have him write three hours of free writing, and paint or whatever. His book will be provided for. You can see how your own creativity is emerging in the notes for Mass Events. Granted, you need time to write physically, but the basic creativity has its own ‘time.’