1 result for (book:deavf1 AND session:881 AND stemmed:book)
[... 2 paragraphs ...]
I especially liked the first sentence Seth offered for his latest book. He promised something Jane and I could really focus upon … an exciting yet thoughtful time of “work” and new information. Quietly, with many pauses, a few of which are indicated:)
[... 2 paragraphs ...]
Preface: This book will be my most ambitious project thus far. Period.
It may be said by some that any book at all is an ambitious endeavor, when it originates from a psychological source (underlined) so far divorced from your ordinary ideas of creativity. It is one thing, for example, for a physical writer to produce a manuscript—and even that kind of creativity involves vast and hidden psychological maneuvers that never appear in the manuscript itself.
As most of my readers know, I make no claims of now having a physical personhood. (Pause.) I do claim an independent reality at another level of existence. My status and origins seem strange only because you have understood so little about your own origins. I am beginning this book this evening. I have already given the title, and at another level of consciousness Jane Roberts was able (12 days ago, for example) to perceive some glimpses of some of the subject matter that will be included here. So far, however, physically there is only the page of paper upon which Robert Butts is writing down these words I speak.
Someday, in terms of time, there will be a thick book. Although the manuscript does not yet exist in a physical book, the book itself, the ideas and words, are in the most important fashions quite real now. Certain qualities are implied in all kinds of creativity that are generally overlooked, and so they are not apparent. The kind of creative procedures we are involved in can serve to bring some of those qualities to light, and to shed illumination upon many aspects of the human psyche that usually remain hidden.
[... 7 paragraphs ...]
(Pause at 9:22.) Give us a moment…. In this book, then, we will look at the origin of the universe, the origin of the species, the origin of life from another viewpoint. This viewpoint will, I hope, provide another framework through which you can understand and study physical reality, your part in it, and sense the immense creative complexity that unites each individual with the source of consciousness itself.
[... 9 paragraphs ...]
We begin again with a new book, and I am sure your own lively mind will bring questions to the forefront that will be of interest.
[... 2 paragraphs ...]
(9:56 P.M. “I could feel him around when I was doing the supper dishes,” Jane said as soon as she was out of trance. “And I could feel him around more and more after that, but I still get cold feet when I know he’s going to start a new book…. Was it good?”
[... 5 paragraphs ...]
1. Recently, I bought two books written by “scientific creationists.” The authors strongly disagree with ideas of evolution. I’ve read halfway through one of the books, and have discussed it with Jane to some extent. After the session I suggested that she start reading it also, in order to acquaint herself with theories radically different from the “ordinary” scientific ones espoused by evolutionists. Very briefly: The creationists believe that God created the universe (including the earth, obviously) around 10,000 years ago. They maintain that all of the earth’s living forms have remained essentially unchanged since that prime creative event; they can account for the disappearance of the dinosaurs, for example, and the vast number of other life forms we no longer see around us. On the other hand, evolutionary science believes that the universe came into being between 10 billion and 20 billion years ago; that the earth itself is about 4.6 billion years old, and that according to the fossil record and other evidence, its living organisms first arose and began evolving at least 3.5 billion years ago. Science also believes, however, that the study of a “first cause” involves not scientific but philosophical and theological questions. For instance, why did the universe we think we know so well come into existence at all, and what was the cause of that beginning?
I know that Jane is interested in the book in question, but also a bit afraid of it: “I don’t want to be so influenced by it—or by any other book—that it starts coming out in the material,” she’s said more than once recently. I agree, since I think that in their own ways the views expressed by the scientific creationists are just as limited as those held by the conventional scientific establishment. But Jane has an excellent critical mind. I’m not concerned that anything she reads will unduly influence her—or Seth.
[... 3 paragraphs ...]
“These sessions themselves involve the highest levels of creative productivity, at many levels, so he should refresh himself painting or doing whatever he likes, for that refreshment adds to his creativity, of course. He will finish his book (God of Jane), and do beautifully with it. He should follow the rhythms of his own creativity without being overly concerned with the time. For a while, again, have him write three hours of free writing, and paint or whatever. His book will be provided for. You can see how your own creativity is emerging in the notes for Mass Events. Granted, you need time to write physically, but the basic creativity has its own ‘time.’
[... 6 paragraphs ...]