“Seth material” search engine (Jane Roberts)

As most of my readers know, I make no claims of now having a physical personhood. (Pause.) I do claim an independent reality at another level of existence. My status and origins seem strange only because you have understood so little about your own origins. I am beginning this book this evening. I have already given the title, and at another level of consciousness Jane Roberts was able (12 days ago, for example) to perceive some glimpses of some of the subject matter that will be included here. So far, however, physically there is only the page of paper upon which Robert Butts is writing down these words I speak.

I speak through Ruburt—or through Jane Roberts, if you prefer. Ruburt has his own creative abilities, and uses them well, and it is to a large extent because of those abilities that our contact first took place (in December 1963). Scientists like to say that if you look outward at the universe, you look backward in time. That statement is only partially true. When you move inward through the psyche, however, you do begin to thrust, in your terms, “backward” toward the origins of existence. Your creative abilities do not simply allow you to paint pictures, to tell or write stories, to create sculpture or architecture. They do not simply provide you with a basis for your religions, sciences, and civilizations. They are your contact with the source of existence itself.

To do this, I hope to explore a more meaningful concept of evolution¹—and that concept must involve a discussion of subjective reality and its effect upon the “evolution” of man’s consciousness.

The universe did not originate from what you like to think of as an external, objectified source. Your own physical body provides you with sturdy corporal images, exterior presentations. Your dreams do not suddenly appear exteriorized upon your images in place of your features, for example. They remain hidden. Your dreams appear on the interior screen of your mind.

I never want any of my remarks to be construed in such a fashion that it seems I am in any way negating the fullness, validity, and magnificence of physical existence. I do want to point out, however, that a state you usually call dreaming is but a dim indication of an inner reality of events (intently), an inner order of events from which the physical world emerges. I hope to show how the nature of dreams has helped shape man’s consciousness. I hope to show that consciousness forms the environment, and not the other way around (with many gestures).

(9:56 P.M. “I could feel him around when I was doing the supper dishes,” Jane said as soon as she was out of trance. “And I could feel him around more and more after that, but I still get cold feet when I know he’s going to start a new book…. Was it good?”

“Well, I don’t want to think about that. If I do, then I’ll start worrying about my responsibility again and forget what Seth says about having the sessions because they’re fun. Wow—I’m really out of it. I’ll be curious as hell to read it,” Jane said as she headed for the couch.

2. I’m presenting the private portion of tonight’s session for two reasons: Seth comments a bit upon the creative production of the sessions, and he shows how we can habitually impose upon our physical selves our conscious ideas of what we “should be doing”—not paying enough attention to our impulsive, natural, bodily messages.

“Today, Ruburt’s body wanted to relax. He has been doing very well, and he tried to approve, but since he lost work time yesterday, his approval barely went skin deep (louder).

“These sessions themselves involve the highest levels of creative productivity, at many levels, so he should refresh himself painting or doing whatever he likes, for that refreshment adds to his creativity, of course. He will finish his book (God of Jane), and do beautifully with it. He should follow the rhythms of his own creativity without being overly concerned with the time. For a while, again, have him write three hours of free writing, and paint or whatever. His book will be provided for. You can see how your own creativity is emerging in the notes for Mass Events. Granted, you need time to write physically, but the basic creativity has its own ‘time.’