“Seth material” search engine (Jane Roberts)

After six months, then, Three Mile Island is still “a closed enigma,” as I wrote in finishing Mass Events—only now the costs for the repair and cleanup of its damaged reactor have been projected as being well over $1 billion instead of the $40 million to $400 million of just a month ago, and into many years of “time” instead of just four. TMI has become the unfortunate symbol of our unprepared experimentation with a nature that contains all sorts of surprises for us; especially when, as Seth maintains, each of those “surprises,” once created, becomes conscious in its own way. [I do believe that this kind of thinking is totally unacceptable to most businessmen, as well as generally to the public they serve, the irony here being that neither businessman or scientist can explain what that fantastic nuclear energy—or any energy, for that matter—really is. In the frontmatter, see the first of the four quotations from Seth; the one taken from a private session given just two months ago: “All energy contains consciousness (underlined). … A recognition of that simple statement would indeed change your world. “]

It is somewhat fashionable to see man as … the creature who dirties his own nest, and I am not condoning much of man’s behavior in that regard. However, there are other issues, and questions seldom asked. You ignore the fact that [overall] the consciousness of animals has its own purposes and intents. It is true that animals are slaughtered under the most cruel of circumstances for human consumption—for then (underlined) they are treated simply as foodstuff.

To some extent you had your own niches, recognizable by society even if they were relatively (underlined) unusual. You did not know that there was a deeper, older, or richer tradition—a more ancient heritage—to which you belonged, because you found no hint of it in your society. It seemed at different times since our sessions began that there were disruptive conflicts. For example: Was Ruburt a writer or was he a psychic? Were you an artist, or weren’t you? What about the writing you did—both for our books, and the writing that you sometimes plan to do on your own?

The sessions I give you, in usual (underlined) terms, are a new extension of that creativity—but again, that extension has an ancient heritage. (To me again:) Your own writing, of course, is art. It is also a method of perceiving and understanding creativity. It is a method of learning that redoubles upon itself, and you are uniquely equipped (pause) to discover comprehensions from a standpoint that is most unusual.