“Seth material” search engine (Jane Roberts)

(Seth actually began his Preface for this book, Dreams, “Evolution,” and Value Fulfillment, with the next, 881st session, which Jane delivered for him 12 days later [on September 25]. I chose to present this private session first because in it Seth offers certain information about Jane and me that I think applies to all of our work with him, through the session and books, and to our own separate creative lives as well. Especially do I like to interpret his material tonight as meaning that Jane is “a psychic or a mystic,” for to me, at least, this means that in this physical life she’s chosen to penetrate as deeply as she can the depths of reality, or consciousness.

As of last May, when she laid it aside to begin work on her own The God of Jane: A Psychic Manifesto, Jane had some 17 chapters in fairly good shape for her third Seven novel, Oversoul Seven and the Museum of Time. By now she’s written 15 chapters, rough first draft, for God of Jane, and done notes for a number of others, out of a total of perhaps 25; she knows she’ll return to Seven when she’s through with the much more personal God of Jane. Since she’s finished her Seth part of the work for Mass Events, three days ago she began writing the Introduction to that book. She’s been painting, answering mail, and writing poetry. Jane would especially like to do another book of poetry, since she published Dialogues of the Soul and Mortal Self in Time way back in 1975. She talks about doing this rather often, then reads through the collections of poems she’s built up over the years. She’s even made a few notes about such a venture. [Personally, I just wish I had more time to sit quietly and reread some of her poetry.]

The religious and scientific mass consciousnesses released in Iran and the United States respectively reach far beyond their countries of origin, obviously. Indeed, I think those attributes of All That Is must have long ago formed strong portions of the psychic atmosphere that, one might say, encircles the earth and affects all below. Those forces or consciousnesses must also constantly replenish themselves: Iran’s religious leaders devoutly nourish their country’s hatred for the United States, while here at home no less than six separate teams or commissions have begun investigations—on private, state, and federal levels—of what went wrong at Three Mile Island. Many younger people [and not only in the United States] have become very fatalistic over the possibility of nuclear accident, or worse, war. Some even refuse to bring children into a world they believe their elders have created for them [in those terms]. And most older people avoid seriously considering what nuclear war would really mean for them, out of fear closing their minds to certain aspects of that psychic atmosphere.

Even though she values the idea of independence as much as I do, the idea of such a life doesn’t appeal to Jane at all. Not that she didn’t take to camping, for instance, when I introduced her to it after we married in 1954. She grew up in a quite different physical and psychological environment, however, and the outdoor, athletic life was not a part of that ambience. But she more than proved her own intuitive grasp of nature, and of my own desires, by producing for me as a Christmas present [© 1977] her excellent book, The World View of Paul Cézanne: A Psychic Interpretation….

To some extent you had your own niches, recognizable by society even if they were relatively (underlined) unusual. You did not know that there was a deeper, older, or richer tradition—a more ancient heritage—to which you belonged, because you found no hint of it in your society. It seemed at different times since our sessions began that there were disruptive conflicts. For example: Was Ruburt a writer or was he a psychic? Were you an artist, or weren’t you? What about the writing you did—both for our books, and the writing that you sometimes plan to do on your own?

(8:53.) Early artists hoped to understand the very nature of creativity itself as they tried to mimic earth’s forms. Poetry and painting were both functional in ways that I will describe in our next book (humorously, elaborately casual), and “esthetic,” but poetry and painting have always involved primarily man’s attempt to understand himself and his world. The original functions of art—meaning poetry and painting here specifically—have been largely forgotten. The true artist in those terms was always primarily—in your terms again—a psychic or a mystic.

To sum up Seth’s somewhat amused comments in the 12th session for January 2, 1964: “Sex, regardless of all of your fleshy takes, is a psychic phenomenon, merely certain qualities which you call male and female. The qualities are real, however, and permeate other planes as well as your own. They are opposites which are nevertheless complementary, and which merge into one. When I say as I have that the overall entity [or whole self] is neither male or female, and yet refer to [some] entities by definitely male names such as ‘Ruburt’ and ‘Joseph’ [as Seth calls me], I merely mean that in the overall essence, the [given] entity identifies itself more with the so-called male characteristics than with the female.”