“Seth material” search engine (Jane Roberts)

Enjoying the sounds of life in the mysterious nighttime, I intuitively understood that not only did I want to mention in this Preface the feelings Jane and I have about Three Mile Island as a technological and scientific entity, embodying man’s attempts to extract new forms of energy [and yes, consciousness, in our joint opinion] from the far more basic and profound quality Seth calls All That Is; I also knew that I wanted to indicate how the very idea of nuclear energy, as an attribute of a national focus, compared with the situation in the Middle Eastern country of Iran. Iran is undergoing a revolution of a strongly religious, fundamentalist-Islamic character. [Islam means “peace,” by the way.] The force of Iran’s upheaval makes the growing Christian fundamentalist movement in the United States seem tame indeed by comparison; therefore I want to concentrate upon the Iranian dilemma rather than the religious conflicts in our own country.

Iran’s fundamentalist Islamic orientation is directly opposed to the secular or worldly view of government espoused in Western lands. Horrendous as the situation at Jonestown turned out to be, with religious fanaticism furnishing a framework for all of those deaths, I think it obvious that developments in Iran are already far more serious. Iran is an entire country, whereas Jonestown was one fragile settlement confined within the jungles of an alien land. Iran can “infect” other nations or peoples with an ancient religious force, or consciousness, if allowed to do so. Nuclear power can do the same thing with a new scientific force that can be even more devastating if not carefully “controlled” [in our terms]. To Jane and me these particular aspects of science and religion represent the way large-scale events can escape their well-meaning creators and literally take on lives of their own. And really, I thought, it could have hardly been an accident on consciousness’s part that as the events at tiny Jonestown receded from world attention, the revolution in Iran began to dramatically increase. To me the religious correlations are obvious.

Your cats are as alive in all ways inside of the house as out. They understand their relationship with your human reality. They enjoy contributing in your life as much as any wild animal enjoys being a part of its group. Their consciousnesses lean in a new direction, feel about the edges of concepts, sense openings of awareness of a different kind, and form alliances of consciousness quite as natural as any other.

(Jane had been so relaxed, so physically at ease yesterday—as she has been often lately—that we’d passed up our regularly scheduled Wednesday night session. At the same time she’s been extremely inspired and creative recently, working on her own God of Jane and the Introduction for Seth’s Mass Events, turning out many pages of excellent material for those works. Even though she was again very relaxed today, she was also active writing. In fact, after supper she produced two more pages of notes that she “picked up” from Seth on his new book Dreams, “Evolution,” and Value Fulfillment.

The sessions I give you, in usual (underlined) terms, are a new extension of that creativity—but again, that extension has an ancient heritage. (To me again:) Your own writing, of course, is art. It is also a method of perceiving and understanding creativity. It is a method of learning that redoubles upon itself, and you are uniquely equipped (pause) to discover comprehensions from a standpoint that is most unusual.

Explore, for example, your own feelings toward me: whether or not they have changed through the years, how much I seem to be myself, or part Jane, or part Ruburt, or part you, or part Joseph, or whatever. Realizing that you are in the position you wanted to be [in], and realizing that your abilities are not in conflict with each other, nor you with them, will automatically fulfill and develop all of those abilities, in a new kind of overall creativity that is itself beyond specifics.

Now: When Ruburt begins to trust himself, as he has, the physical (arthritic) armor loosens. The creative abilities become even more available, hence his new creativity, and the new physical steps he has taken. They all go together.

(9:09.) He did indeed pick up from me a partial list of the subject matters to be covered in our new book—which will be called Dreams, “Evolution,” and Value Fulfillment.

You (both) are studying the nature of creativity as few others have done or can do—and that is bound to make possible new creative frameworks, and to offer new solutions to situations that cause difficulty only within smaller frameworks.

1. Those who are familiar with the Seth material know this, so I ask their forbearance while I reproduce for “new” readers Note 3 for Session 679, in Volume 1 of “Unknown” Reality: