“Seth material” search engine (Jane Roberts)

Enjoying the sounds of life in the mysterious nighttime, I intuitively understood that not only did I want to mention in this Preface the feelings Jane and I have about Three Mile Island as a technological and scientific entity, embodying man’s attempts to extract new forms of energy [and yes, consciousness, in our joint opinion] from the far more basic and profound quality Seth calls All That Is; I also knew that I wanted to indicate how the very idea of nuclear energy, as an attribute of a national focus, compared with the situation in the Middle Eastern country of Iran. Iran is undergoing a revolution of a strongly religious, fundamentalist-Islamic character. [Islam means “peace,” by the way.] The force of Iran’s upheaval makes the growing Christian fundamentalist movement in the United States seem tame indeed by comparison; therefore I want to concentrate upon the Iranian dilemma rather than the religious conflicts in our own country.

(Pause.) It is somewhat fashionable to see man as always nature’s despoiler, as the destructive member of nature’s family, or even to consider him apart from nature, who was given nature as his living grounds.

It is somewhat fashionable to see man as … the creature who dirties his own nest, and I am not condoning much of man’s behavior in that regard. However, there are other issues, and questions seldom asked. You ignore the fact that [overall] the consciousness of animals has its own purposes and intents. It is true that animals are slaughtered under the most cruel of circumstances for human consumption—for then (underlined) they are treated simply as foodstuff.

(Pause.) Buffaloes do not roam as they did before. There are thousands of farm-bred animals, however [and have been], all throughout civilization, alive for a time, well-cared-for for a time—animals who in usual terms would not exist except for man’s “gluttonous” appetite for meat. That is the way the issue is often considered. It seldom occurs to anyone that certain forms of animal consciousness came in physical form [by choice], that certain species are prized by man and protected, or that the consciousnesses of such animals had anything at all to do with such an [overall] arrangement.

You cannot say that such animals came out ahead of the bargain, but you can say that the species of man and certain species of animals together formed an arrangement … that did have benefits for both. Man is more a part of nature than he realizes, and in the greater realm of activity he cannot take any … actions with which the rest of nature does not agree for its own reasons.

Remember here other material given about cellular communication, for example, and the vast web of intercommunication that unites all species. Of course animals can communicate with man, and of course man can communicate with other species—with all species. Such communication has always gone on. Man cannot afford to become aware of such communication at this point, simply because your entire culture is based upon the idea of the animals’ “natural” subordinate position. The men who slaughter animals cannot afford to treat those animals as possessors of living consciousnesses.

Many animals enjoy work and purpose. They enjoy working with man. Horses enjoyed the contributions they made to man’s world. They understood their riders far more than their riders understood them. Many dogs enjoy being family protectors. There are deep emotional bonds between men and many species of animals. There is emotional response. Dolphins, for example, respond emotionally to man’s world. The animals on a farm are emotionally aware of the overall psychological content of the farmer’s life and [that of each member of] his family….

(8:53.) Early artists hoped to understand the very nature of creativity itself as they tried to mimic earth’s forms. Poetry and painting were both functional in ways that I will describe in our next book (humorously, elaborately casual), and “esthetic,” but poetry and painting have always involved primarily man’s attempt to understand himself and his world. The original functions of art—meaning poetry and painting here specifically—have been largely forgotten. The true artist in those terms was always primarily—in your terms again—a psychic or a mystic.