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DEaVF1 Preface by Seth: Private Session, September 13, 1979 9/92 (10%) Iran animals Mitzi religious Mass
– Dreams, "Evolution", and Value Fulfillment: Volume One
– © 2012 Laurel Davies-Butts
– Preface by Seth
– Private Session, September 13, 1979 8:40 P.M. Thursday

[... 13 paragraphs ...]

Enjoying the sounds of life in the mysterious nighttime, I intuitively understood that not only did I want to mention in this Preface the feelings Jane and I have about Three Mile Island as a technological and scientific entity, embodying man’s attempts to extract new forms of energy [and yes, consciousness, in our joint opinion] from the far more basic and profound quality Seth calls All That Is; I also knew that I wanted to indicate how the very idea of nuclear energy, as an attribute of a national focus, compared with the situation in the Middle Eastern country of Iran. Iran is undergoing a revolution of a strongly religious, fundamentalist-Islamic character. [Islam means “peace,” by the way.] The force of Iran’s upheaval makes the growing Christian fundamentalist movement in the United States seem tame indeed by comparison; therefore I want to concentrate upon the Iranian dilemma rather than the religious conflicts in our own country.

[... 7 paragraphs ...]

The religious and scientific mass consciousnesses released in Iran and the United States respectively reach far beyond their countries of origin, obviously. Indeed, I think those attributes of All That Is must have long ago formed strong portions of the psychic atmosphere that, one might say, encircles the earth and affects all below. Those forces or consciousnesses must also constantly replenish themselves: Iran’s religious leaders devoutly nourish their country’s hatred for the United States, while here at home no less than six separate teams or commissions have begun investigations—on private, state, and federal levels—of what went wrong at Three Mile Island. Many younger people [and not only in the United States] have become very fatalistic over the possibility of nuclear accident, or worse, war. Some even refuse to bring children into a world they believe their elders have created for them [in those terms]. And most older people avoid seriously considering what nuclear war would really mean for them, out of fear closing their minds to certain aspects of that psychic atmosphere.

Jane and I try to keep in mind Seth’s ideas, as well as our own, concerning the great challenges our species has chosen to deal with these days, but I must admit that we often have trouble doing so. It seems to us that even if they privately agreed with us, our world leaders would have even more trouble implementing such thinking, for in their positions of “power” they’re quite locked into their national statuses by centuries of custom and history. To initiate truly original and/or revolutionary forms of beneficial governmental and mass behavior would be extraordinarily difficult.

[... 11 paragraphs ...]

(Pause.) Buffaloes do not roam as they did before. There are thousands of farm-bred animals, however [and have been], all throughout civilization, alive for a time, well-cared-for for a time—animals who in usual terms would not exist except for man’s “gluttonous” appetite for meat. That is the way the issue is often considered. It seldom occurs to anyone that certain forms of animal consciousness came in physical form [by choice], that certain species are prized by man and protected, or that the consciousnesses of such animals had anything at all to do with such an [overall] arrangement.

You cannot say that such animals came out ahead of the bargain, but you can say that the species of man and certain species of animals together formed an arrangement … that did have benefits for both. Man is more a part of nature than he realizes, and in the greater realm of activity he cannot take any … actions with which the rest of nature does not agree for its own reasons.

[... 9 paragraphs ...]

Your cats are as alive in all ways inside of the house as out. They understand their relationship with your human reality. They enjoy contributing in your life as much as any wild animal enjoys being a part of its group. Their consciousnesses lean in a new direction, feel about the edges of concepts, sense openings of awareness of a different kind, and form alliances of consciousness quite as natural as any other.

[... 6 paragraphs ...]

How strange a desire to have in these days of scientific and religious turmoil, of computers and nuclear debate and space technology. It’s almost like trying to wish oneself back into an earlier, seemingly less complicated time. That, surely, would be an illusory goal! But no matter what we may accomplish as a species, or how far we may travel, in those terms we started out utterly dependent upon our earth, with its fantastic variety of resources and life forms. That sublime framework still exists for us in all of its great beauty, and I want to always return to it: We create our human version of it each day, and I think that even now we’ve hardly begun to understand what we are and have. I’ve come to believe that the predominantly outdoor life would give me a certain understanding of our temporal and spiritual worlds impossible to grasp otherwise, and that my painting would inevitably mirror that greater comprehension. Sometimes I simply yearn for that way of living. Of course, what I’m really stressing here is living the independent life as much as possible within our ever-more-complicated national and world cultures. But we all have our dreams.

[... 13 paragraphs ...]

Ruburt was correct in his introductory notes (for Mass Events) today—about the poet’s long-forgotten abilities, and his role. Ruburt has been a poet all of the time in the most profound meaning of that term. For the poet did not simply string words together, but sent out a syntax of consciousness, using rhythm and the voice, rhyme and refrain as methods to form steps up which his own consciousness could rush.

(8:53.) Early artists hoped to understand the very nature of creativity itself as they tried to mimic earth’s forms. Poetry and painting were both functional in ways that I will describe in our next book (humorously, elaborately casual), and “esthetic,” but poetry and painting have always involved primarily man’s attempt to understand himself and his world. The original functions of art—meaning poetry and painting here specifically—have been largely forgotten. The true artist in those terms was always primarily—in your terms again—a psychic or a mystic.

[... 23 paragraphs ...]

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