1 result for (book:deavf1 AND heading:"prefac by seth privat session septemb 13 1979" AND stemmed:explor)
[... 23 paragraphs ...]
In my opinion these are hardly predictions, but instead very conservative projections of already well-established phenomena: I don’t for a minute think that any country, let alone our species as a whole, will give up on nuclear power. Nor will Iran, or the United States, or a number of other nations, dispense with fundamentalist religion of whatever kind. I believe that those particular aspects of scientific consciousness and religious consciousness will be with us for a very long time, for in our chosen earthly reality a larger consciousness—and, ultimately, All That Is—has opted for much long-range exploration of those two closely related portions of itself. In our probability we can create both very transcendent and very painful portions of that dual exploration. I think those particular aspects of mankind’s search for answers will grow ever more powerful for a number of years, until their very excesses finally lead to their “evolution” into forces that are much more controlled and compassionate and understanding.
[... 20 paragraphs ...]
Cats in the wild were, in those terms of time, exploring one kind of nature. In that kind of nature, with a natural population taken care of in the environment, there would be far fewer cats than there are now. Your cats would not exist. Why does it seem antinatural, even slightly perverse, for a household cat to, say, prefer fine cat food from a can, when it seems that he should be eating mice, perhaps, or dining upon grasshoppers? The household cat is exploring a different kind of nature, in which he has a certain relationship to human consciousness, a relationship that changes the reality of his particular kind of consciousness.
[... 23 paragraphs ...]
His specific art (pause) was both his method of understanding his own creativity and a way of exploring the vast creativity of the universe—and also served as a container or showcase that displayed his knowledge as best he could.
[... 1 paragraph ...]
(To me:) I want you to specifically understand that there is and can be no conflict, for example, between your writing and painting, for in the most basic of ways they represent different methods of exploring the meaning and the source of creativity itself.
[... 1 paragraph ...]
Explore, for example, your own feelings toward me: whether or not they have changed through the years, how much I seem to be myself, or part Jane, or part Ruburt, or part you, or part Joseph, or whatever. Realizing that you are in the position you wanted to be [in], and realizing that your abilities are not in conflict with each other, nor you with them, will automatically fulfill and develop all of those abilities, in a new kind of overall creativity that is itself beyond specifics.
[... 18 paragraphs ...]