1 result for (book:deavf1 AND heading:"prefac by seth privat session septemb 13 1979" AND stemmed:do)
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(Seth actually began his Preface for this book, Dreams, “Evolution,” and Value Fulfillment, with the next, 881st session, which Jane delivered for him 12 days later [on September 25]. I chose to present this private session first because in it Seth offers certain information about Jane and me that I think applies to all of our work with him, through the session and books, and to our own separate creative lives as well. Especially do I like to interpret his material tonight as meaning that Jane is “a psychic or a mystic,” for to me, at least, this means that in this physical life she’s chosen to penetrate as deeply as she can the depths of reality, or consciousness.
Later in these notes I also plan to include, as a partial answer to many who have written us on the subject, material Seth gave on animal consciousness; this information came through just three days ago, in the 878th session for September 10. In the meantime I want to tie together Dreams and the last Seth-Jane book, The Individual and the Nature of Mass Events. Seth completed his work on Mass Events about a month ago [on August 15], and a week later I began finishing my notes for it. This will require at least several months. At the same time I’ll be taking Jane’s dictation for Dreams. Along with my painting and dream recording, both of which I do in the mornings, all of these activities come together in just the kind of busy, creative life I greatly enjoy. As for Jane, she couldn’t be more pleased to be so involved with all she’s doing.
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Our lives do indeed seem to revolve around book projects and events! First, let me update the creative activities Jane was involved in while Seth and she were finishing Mass Events.
As of last May, when she laid it aside to begin work on her own The God of Jane: A Psychic Manifesto, Jane had some 17 chapters in fairly good shape for her third Seven novel, Oversoul Seven and the Museum of Time. By now she’s written 15 chapters, rough first draft, for God of Jane, and done notes for a number of others, out of a total of perhaps 25; she knows she’ll return to Seven when she’s through with the much more personal God of Jane. Since she’s finished her Seth part of the work for Mass Events, three days ago she began writing the Introduction to that book. She’s been painting, answering mail, and writing poetry. Jane would especially like to do another book of poetry, since she published Dialogues of the Soul and Mortal Self in Time way back in 1975. She talks about doing this rather often, then reads through the collections of poems she’s built up over the years. She’s even made a few notes about such a venture. [Personally, I just wish I had more time to sit quietly and reread some of her poetry.]
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Emir is Jane’s children’s book—or the one for “readers of all ages,” as she puts it. At the same time, Tam Mossman, Jane’s editor at Prentice-Hall, is trying to find out whether the Dutch edition of Seth Speaks has been published. He thinks it has. As soon as Prentice-Hall receives its shipment of books from the Netherlands, Tam will forward the copies due us. The German-language edition of Seth Speaks was published in Switzerland four months ago [in May], and just three weeks ago we received our first fan letter from that country. The author wrote in English, and her appreciation of the work Jane and I are trying to do is amazingly similar to certain letters we receive from readers here at home. Even if that initial response was slow in coming [partly because of the language barrier, we think], we were glad to get it, for it indicated a commonality of interest in human potential, regardless of nationality. We expect the same kind of response from those who will seek out the Dutch Seth Speaks. We know the mail from European readers will very gradually increase, just as it did after Jane published The Seth Material in the United States in 1970.)
(Late last night I stepped out onto the screened-in back porch of the hill house. Our black-and-white cat, Mitzi, followed me. We’re having the house painted, and I could smell the acrylic odor. The woods on the hill in back of the house echoed with the stridulations of the cicadas and katydids. When I went outside I made sure the porch door was latched so that Mitzi couldn’t get out; she sat silhouetted against the light coming from the kitchen window as she watched me walk down the driveway. It was the natural time for her to be free, I thought. We’d had Mitzi spayed three weeks ago, when she was seven months old. [Our veterinarian has told us we have to wait until early next year before Mitzi’s littermate, Billy, can be neutered; he has some more growing to do first.] Seth’s recent material on animal consciousness has assuaged to some degree the guilt Jane and I feel at depriving the innocent cats of their reproductive roles. We’ve also felt bad over our long-standing decision to keep them in the house; they can roam no farther than the front and back porches. Both porches are screened in down to the floor and furnish the only contacts Billy and Mitzi have with the outside environment.
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I’d looked for the shape of a rabbit last night, hopping across the silent road like an upright shadow casting a shadow, as I’d seen one do the other evening. I didn’t see a rabbit, but I did hear a flight of geese approaching from the north above the cloud cover. And that growing cacophony, perhaps my favorite sound in all of nature, reminded me that I’d closed out Mass Events by writing about geese. I’d also mentioned the status of Three Mile Island, however, the nuclear energy generating plant located some 130 airline miles south of us, in Pennsylvania. Because of a combination of mechanical failure and human error, one of the two reactors at TMI had come very close to a meltdown of the uranium fuel in its core. A potentially disastrous situation had developed, one that could have involved many thousands of people and several thousand square miles of land. It seemed incredible now that that accident had taken place only six months ago.
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Just as though it had been waiting for the right moment last night, a screech owl began to sound its sorrowful descending cry in the black woods on the hill behind our house. The barking of the geese started to fade. At least from my viewpoint, each of nature’s rhythmic signs implied a continuity, an inevitability and security, that I’ve often felt is lacking in our all-too-human affairs—this, even though I wrote in Mass Events that Jane and I are aware, of course, of all the “good things” we humans have constructed in our mass reality. Actually, I thought, our concepts of religion and science aren’t as contradictory as at first they may seem to be. In Mass Events Seth spent considerable time discussing the deeper and very similar meanings behind both of those belief systems—or cults, as he called them—and Jane and I hope he continues to do so in Dreams. Now it even seems to us that in Mass Events Seth began preparing us for Dreams long before Jane and he ever mentioned that work by name.
Iran’s fundamentalist Islamic orientation is directly opposed to the secular or worldly view of government espoused in Western lands. Horrendous as the situation at Jonestown turned out to be, with religious fanaticism furnishing a framework for all of those deaths, I think it obvious that developments in Iran are already far more serious. Iran is an entire country, whereas Jonestown was one fragile settlement confined within the jungles of an alien land. Iran can “infect” other nations or peoples with an ancient religious force, or consciousness, if allowed to do so. Nuclear power can do the same thing with a new scientific force that can be even more devastating if not carefully “controlled” [in our terms]. To Jane and me these particular aspects of science and religion represent the way large-scale events can escape their well-meaning creators and literally take on lives of their own. And really, I thought, it could have hardly been an accident on consciousness’s part that as the events at tiny Jonestown receded from world attention, the revolution in Iran began to dramatically increase. To me the religious correlations are obvious.
After six months, then, Three Mile Island is still “a closed enigma,” as I wrote in finishing Mass Events—only now the costs for the repair and cleanup of its damaged reactor have been projected as being well over $1 billion instead of the $40 million to $400 million of just a month ago, and into many years of “time” instead of just four. TMI has become the unfortunate symbol of our unprepared experimentation with a nature that contains all sorts of surprises for us; especially when, as Seth maintains, each of those “surprises,” once created, becomes conscious in its own way. [I do believe that this kind of thinking is totally unacceptable to most businessmen, as well as generally to the public they serve, the irony here being that neither businessman or scientist can explain what that fantastic nuclear energy—or any energy, for that matter—really is. In the frontmatter, see the first of the four quotations from Seth; the one taken from a private session given just two months ago: “All energy contains consciousness (underlined). … A recognition of that simple statement would indeed change your world. “]
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Jane and I try to keep in mind Seth’s ideas, as well as our own, concerning the great challenges our species has chosen to deal with these days, but I must admit that we often have trouble doing so. It seems to us that even if they privately agreed with us, our world leaders would have even more trouble implementing such thinking, for in their positions of “power” they’re quite locked into their national statuses by centuries of custom and history. To initiate truly original and/or revolutionary forms of beneficial governmental and mass behavior would be extraordinarily difficult.
[... 11 paragraphs ...]
(Pause.) Buffaloes do not roam as they did before. There are thousands of farm-bred animals, however [and have been], all throughout civilization, alive for a time, well-cared-for for a time—animals who in usual terms would not exist except for man’s “gluttonous” appetite for meat. That is the way the issue is often considered. It seldom occurs to anyone that certain forms of animal consciousness came in physical form [by choice], that certain species are prized by man and protected, or that the consciousnesses of such animals had anything at all to do with such an [overall] arrangement.
[... 6 paragraphs ...]
(Pause at 9:45.) [Animals] do not blame [human beings] for anything. If as a species you really found yourselves communicating with the animals, you would have an entirely different culture, a culture that would indeed bring about an alteration of consciousness of the most profound nature.
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Domesticated animals have their own reasons for choosing such a state. It is, for example, usual enough to think that your cats (Billy and Mitzi) should ideally run outside in the open, because in the wild that is what cats would do.
[... 7 paragraphs ...]
Once more, as I’ve done often in recent years, I expressed the hope to myself that in another probable reality very similar to this one I opted for the outdoor life in a much stronger way—even to living outside night and day for most of the year. I must be doing so right now! In that probable life I use a tent sometimes, but I cook and sleep outside as much as possible, except in the worst weather. What a different life! I’m still a painter, I often think, but perhaps not a writer. I might be a Milton Avery or a Paul Cézanne type of artist. More and more I’ve come to admire—revere, even—the single-minded, childlike devotion artists like Avery and Cézanne had for their art. Not that I want to copy Cézanne, for instance [I couldn’t even if I wanted to], but in that other reality I too chose to live the natural life in a more naive or clear-eyed manner—to sublimate myself before nature while at the same time trying to become master of whatever means of expression I can achieve.
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Even though she values the idea of independence as much as I do, the idea of such a life doesn’t appeal to Jane at all. Not that she didn’t take to camping, for instance, when I introduced her to it after we married in 1954. She grew up in a quite different physical and psychological environment, however, and the outdoor, athletic life was not a part of that ambience. But she more than proved her own intuitive grasp of nature, and of my own desires, by producing for me as a Christmas present [© 1977] her excellent book, The World View of Paul Cézanne: A Psychic Interpretation….
Now here is the private session listed at the beginning of these advance notes—the one I chose to present just before Seth’s actual Preface for Dreams. The opening notes that follow are pretty much as I wrote them before Jane began delivering the session on Thursday evening at 8:40, September 13, 1979. [That night, however, I could do no more than barely indicate the “extra” material I’ve just finished giving, although even then I knew much of what I wanted to cover.])
[... 9 paragraphs ...]
To some extent you had your own niches, recognizable by society even if they were relatively (underlined) unusual. You did not know that there was a deeper, older, or richer tradition—a more ancient heritage—to which you belonged, because you found no hint of it in your society. It seemed at different times since our sessions began that there were disruptive conflicts. For example: Was Ruburt a writer or was he a psychic? Were you an artist, or weren’t you? What about the writing you did—both for our books, and the writing that you sometimes plan to do on your own?
[... 11 paragraphs ...]
(Pause.) The book will necessarily of course include much material on the true nature of creativity and its uses and misuses by civilizations. You do not have to fight to trust the thrust of your own life. That thrust is always meant to lead you toward your own best fulfillment, in a way that will benefit the species as well.
[... 2 paragraphs ...]
You (both) are studying the nature of creativity as few others have done or can do—and that is bound to make possible new creative frameworks, and to offer new solutions to situations that cause difficulty only within smaller frameworks.
Do you have questions?
(“No. Jane’s been doing great lately, and I’m very pleased to see that.”)
[... 9 paragraphs ...]