“Seth material” search engine (Jane Roberts)

Within a few days we expect to receive from Delacorte Press the first copies of Emir’s Education in the Proper Use of Magical Powers.

Emir is Jane’s children’s book—or the one for “readers of all ages,” as she puts it. At the same time, Tam Mossman, Jane’s editor at Prentice-Hall, is trying to find out whether the Dutch edition of Seth Speaks has been published. He thinks it has. As soon as Prentice-Hall receives its shipment of books from the Netherlands, Tam will forward the copies due us. The German-language edition of Seth Speaks was published in Switzerland four months ago [in May], and just three weeks ago we received our first fan letter from that country. The author wrote in English, and her appreciation of the work Jane and I are trying to do is amazingly similar to certain letters we receive from readers here at home. Even if that initial response was slow in coming [partly because of the language barrier, we think], we were glad to get it, for it indicated a commonality of interest in human potential, regardless of nationality. We expect the same kind of response from those who will seek out the Dutch Seth Speaks. We know the mail from European readers will very gradually increase, just as it did after Jane published The Seth Material in the United States in 1970.)

Once more, as I’ve done often in recent years, I expressed the hope to myself that in another probable reality very similar to this one I opted for the outdoor life in a much stronger way—even to living outside night and day for most of the year. I must be doing so right now! In that probable life I use a tent sometimes, but I cook and sleep outside as much as possible, except in the worst weather. What a different life! I’m still a painter, I often think, but perhaps not a writer. I might be a Milton Avery or a Paul Cézanne type of artist. More and more I’ve come to admire—revere, even—the single-minded, childlike devotion artists like Avery and Cézanne had for their art. Not that I want to copy Cézanne, for instance [I couldn’t even if I wanted to], but in that other reality I too chose to live the natural life in a more naive or clear-eyed manner—to sublimate myself before nature while at the same time trying to become master of whatever means of expression I can achieve.