“Seth material” search engine (Jane Roberts)

If the hassles surrounding TMI have engendered forces of a scientifically oriented consciousness, then, certainly those in Iran have released a very strong religiously oriented consciousness. Religious drives of whatever nature are much more comprehensible to us than scientific ones: I think it quite safe to note that in ordinary terms our species began struggling with religious expression long before it began recording history. This year [1979], Iran has turned into a land in which all Western nations—but particularly the United States—have become anathema. Iran’s religious leaders actually run the country now, operating behind a weak secular and probably temporary government appointed by its Western-leaning and departed leader before he fled his country last January. [Now, looking tired and ill, he travels the world with his expensive entourage, looking for a safe place to live after leading 25 years of savage oppression in his homeland.]

How strange a desire to have in these days of scientific and religious turmoil, of computers and nuclear debate and space technology. It’s almost like trying to wish oneself back into an earlier, seemingly less complicated time. That, surely, would be an illusory goal! But no matter what we may accomplish as a species, or how far we may travel, in those terms we started out utterly dependent upon our earth, with its fantastic variety of resources and life forms. That sublime framework still exists for us in all of its great beauty, and I want to always return to it: We create our human version of it each day, and I think that even now we’ve hardly begun to understand what we are and have. I’ve come to believe that the predominantly outdoor life would give me a certain understanding of our temporal and spiritual worlds impossible to grasp otherwise, and that my painting would inevitably mirror that greater comprehension. Sometimes I simply yearn for that way of living. Of course, what I’m really stressing here is living the independent life as much as possible within our ever-more-complicated national and world cultures. But we all have our dreams.

The sessions I give you, in usual (underlined) terms, are a new extension of that creativity—but again, that extension has an ancient heritage. (To me again:) Your own writing, of course, is art. It is also a method of perceiving and understanding creativity. It is a method of learning that redoubles upon itself, and you are uniquely equipped (pause) to discover comprehensions from a standpoint that is most unusual.