1 result for (book:deavf1 AND heading:"prefac by seth privat session septemb 13 1979" AND stemmed:ancient)
[... 16 paragraphs ...]
Iran’s fundamentalist Islamic orientation is directly opposed to the secular or worldly view of government espoused in Western lands. Horrendous as the situation at Jonestown turned out to be, with religious fanaticism furnishing a framework for all of those deaths, I think it obvious that developments in Iran are already far more serious. Iran is an entire country, whereas Jonestown was one fragile settlement confined within the jungles of an alien land. Iran can “infect” other nations or peoples with an ancient religious force, or consciousness, if allowed to do so. Nuclear power can do the same thing with a new scientific force that can be even more devastating if not carefully “controlled” [in our terms]. To Jane and me these particular aspects of science and religion represent the way large-scale events can escape their well-meaning creators and literally take on lives of their own. And really, I thought, it could have hardly been an accident on consciousness’s part that as the events at tiny Jonestown receded from world attention, the revolution in Iran began to dramatically increase. To me the religious correlations are obvious.
[... 47 paragraphs ...]
To some extent you had your own niches, recognizable by society even if they were relatively (underlined) unusual. You did not know that there was a deeper, older, or richer tradition—a more ancient heritage—to which you belonged, because you found no hint of it in your society. It seemed at different times since our sessions began that there were disruptive conflicts. For example: Was Ruburt a writer or was he a psychic? Were you an artist, or weren’t you? What about the writing you did—both for our books, and the writing that you sometimes plan to do on your own?
[... 6 paragraphs ...]
The sessions I give you, in usual (underlined) terms, are a new extension of that creativity—but again, that extension has an ancient heritage. (To me again:) Your own writing, of course, is art. It is also a method of perceiving and understanding creativity. It is a method of learning that redoubles upon itself, and you are uniquely equipped (pause) to discover comprehensions from a standpoint that is most unusual.
[... 19 paragraphs ...]