“Seth material” search engine (Jane Roberts)

I wrote quite a bit in Mass Events about our publishing activities, just to show for the record how complicated certain aspects of the creative life can be as we juggled sessions, manuscripts, proofreading, and deadlines [to list a few of our endeavors]; we “worked” at any time of the day or night—which didn’t bother us at all. Since a lot of that kind of information was presented in Mass Events, Jane and I don’t intend for much of it in Dreams. Rather, after indicating in this Preface the continuity between the two books, I’ll discuss briefly a few other subjects we feel deeply about. All of them are related to our work with the Seth material and Mass Events, however, and will, I’m sure, be reflected in Dreams. Beyond that, I have little idea of how many notes of Jane’s and mine, or quotations from nonbook sessions, for example, we’ll be adding to this book.

I’d looked for the shape of a rabbit last night, hopping across the silent road like an upright shadow casting a shadow, as I’d seen one do the other evening. I didn’t see a rabbit, but I did hear a flight of geese approaching from the north above the cloud cover. And that growing cacophony, perhaps my favorite sound in all of nature, reminded me that I’d closed out Mass Events by writing about geese. I’d also mentioned the status of Three Mile Island, however, the nuclear energy generating plant located some 130 airline miles south of us, in Pennsylvania. Because of a combination of mechanical failure and human error, one of the two reactors at TMI had come very close to a meltdown of the uranium fuel in its core. A potentially disastrous situation had developed, one that could have involved many thousands of people and several thousand square miles of land. It seemed incredible now that that accident had taken place only six months ago.

After six months, then, Three Mile Island is still “a closed enigma,” as I wrote in finishing Mass Events—only now the costs for the repair and cleanup of its damaged reactor have been projected as being well over $1 billion instead of the $40 million to $400 million of just a month ago, and into many years of “time” instead of just four. TMI has become the unfortunate symbol of our unprepared experimentation with a nature that contains all sorts of surprises for us; especially when, as Seth maintains, each of those “surprises,” once created, becomes conscious in its own way. [I do believe that this kind of thinking is totally unacceptable to most businessmen, as well as generally to the public they serve, the irony here being that neither businessman or scientist can explain what that fantastic nuclear energy—or any energy, for that matter—really is. In the frontmatter, see the first of the four quotations from Seth; the one taken from a private session given just two months ago: “All energy contains consciousness (underlined). … A recognition of that simple statement would indeed change your world. “]

In my opinion these are hardly predictions, but instead very conservative projections of already well-established phenomena: I don’t for a minute think that any country, let alone our species as a whole, will give up on nuclear power. Nor will Iran, or the United States, or a number of other nations, dispense with fundamentalist religion of whatever kind. I believe that those particular aspects of scientific consciousness and religious consciousness will be with us for a very long time, for in our chosen earthly reality a larger consciousness—and, ultimately, All That Is—has opted for much long-range exploration of those two closely related portions of itself. In our probability we can create both very transcendent and very painful portions of that dual exploration. I think those particular aspects of mankind’s search for answers will grow ever more powerful for a number of years, until their very excesses finally lead to their “evolution” into forces that are much more controlled and compassionate and understanding.

(Jane had been so relaxed, so physically at ease yesterday—as she has been often lately—that we’d passed up our regularly scheduled Wednesday night session. At the same time she’s been extremely inspired and creative recently, working on her own God of Jane and the Introduction for Seth’s Mass Events, turning out many pages of excellent material for those works. Even though she was again very relaxed today, she was also active writing. In fact, after supper she produced two more pages of notes that she “picked up” from Seth on his new book Dreams, “Evolution,” and Value Fulfillment.

(Pause.) The two of you thought of yourselves specifically as a writer—or rather a poet—and an artist before our sessions began. I would like to clear up some important points.