“Seth material” search engine (Jane Roberts)

(Pause.) It is somewhat fashionable to see man as always nature’s despoiler, as the destructive member of nature’s family, or even to consider him apart from nature, who was given nature as his living grounds.

(Pause.) Buffaloes do not roam as they did before. There are thousands of farm-bred animals, however [and have been], all throughout civilization, alive for a time, well-cared-for for a time—animals who in usual terms would not exist except for man’s “gluttonous” appetite for meat. That is the way the issue is often considered. It seldom occurs to anyone that certain forms of animal consciousness came in physical form [by choice], that certain species are prized by man and protected, or that the consciousnesses of such animals had anything at all to do with such an [overall] arrangement.

(Long pause at 9:26.) There is, beneath it all, an important unity, a sense of communion, as one portion of earth’s living consciousness dies to insure the continued life of all nature. That natural sacrament, however, turns into something else entirely when the gift is so misunderstood, and when the donor is treated so poorly….

(Pause at 9:45.) [Animals] do not blame [human beings] for anything. If as a species you really found yourselves communicating with the animals, you would have an entirely different culture, a culture that would indeed bring about an alteration of consciousness of the most profound nature.

(Pause.) The two of you thought of yourselves specifically as a writer—or rather a poet—and an artist before our sessions began. I would like to clear up some important points.

His specific art (pause) was both his method of understanding his own creativity and a way of exploring the vast creativity of the universe—and also served as a container or showcase that displayed his knowledge as best he could.

The sessions I give you, in usual (underlined) terms, are a new extension of that creativity—but again, that extension has an ancient heritage. (To me again:) Your own writing, of course, is art. It is also a method of perceiving and understanding creativity. It is a method of learning that redoubles upon itself, and you are uniquely equipped (pause) to discover comprehensions from a standpoint that is most unusual.

(Pause.) The book will necessarily of course include much material on the true nature of creativity and its uses and misuses by civilizations. You do not have to fight to trust the thrust of your own life. That thrust is always meant to lead you toward your own best fulfillment, in a way that will benefit the species as well.