6 results for (book:deavf1 AND heading:"introductori essay by robert f butt" AND stemmed:move)
I worked on the essays in succession, just as they’re given here, although I found myself adding to the earlier ones as I moved into the later ones. In terms of length alone, it soon became obviously impossible to write all of the material for any piece on the date given. Even by going back over them, however, I couldn’t discuss everything I wanted to: The essays could have easily grown into a book of their own. This weaving things together to make them “fit” is only natural for one of my temperament, but I didn’t alter any of my original copy—that I’d have refused to do—and I kept intact those first spontaneous descriptions of the events attendant to Jane’s physical difficulties, as well as our deep-seated, sometimes wrenching feelings connected to them. I did not look at Seth-Jane’s Dreams itself while writing the essays, in order to avoid having them overly influenced by work in the book. Instead, we want all of this preliminary material to show how we live daily—regardless of how well we may or may not do—with a generalized knowledge of, and belief in, the Seth material.
Yet, Jane and I were being creative with it all—the whole time—and moving several stages closer to understanding All That Is in the process. If we were often badly frightened, we also felt surges of grim elation (when we allowed them to surface) that we were survivors. We’d chosen the entire experience, which is still continuing, of course. “You make your own reality,” Seth has told us innumerable times. We agree—and that is where Jane and I diverge most sharply from the conventional establishment belief that events happen to people, instead of being created by them.
The essay form gave us chances for at least a minimal study of the various forms our creative learning experiences have taken to date. We quickly agreed that we’d been setting up the illness syndrome for years, yet the deep emotional shocks accompanying its physical developments seemed to come at us like attacking dark birds zooming in from another probable reality. We learned. We adjusted in ways that a few weeks previously would have seemed unbelievable to us—and, ironically, as must often happen in such situations, once we’d moved into our new joint reality, it appeared that those particular challenges had always been incipient for us.
[...] To venture into such a skein requires that one constantly picks and chooses among them—for each move, each thought, even, can launch the traveler into a different probability. [...]
[...] (Some physicists, however, have implied that subatomic particles—photons—communicate with each other as they take their separate but “sympathetic” paths.) Pardon my irony here, but Seth has always dealt with the ramifications of consciousness and maintained also that we do not inhabit just one probable world, but constantly move among them by choice—and by the microsecond, if one chooses.
[...] Perhaps if Jane and I could do that, a great metamorphosis would take place: The closer we moved through probabilities toward All That Is, the more the tensions associated with the subject in question would transform themselves into profoundly joyous answers and challenges.
[...] His weaknesses were out in the open, dramatically presented, and from that point, unless he chose death he could only go forward—for suddenly he felt that there was after all some room to move, that achievements were possible, where before all accomplishments seemed beside the point in the face of his expected superhuman activity.