“Seth material” search engine (Jane Roberts)

There must be a vast amount of pertinent dream information ready for the tapping, however, and maybe with Seth’s help Jane and I can eventually learn more about the undoubtedly therapeutic roles our joint and individual dreams have played as we contended with the challenges posed by her physical difficulties. Many questions arise: Even granting our personal reservations about influences being exerted within our current lives through past, future, as well as other present existences, what about exchanges on dream levels concerning Jane’s symptoms between or among any of our reincarnational selves, our counterpart selves, or various combinations of the two? How am I involved in any of these, and how are Jane’s and my families—and reaching how many generations back in ordinary time? To what extent does Jane’s physical infirmity mushroom into other probable realities through the dream state? I think that Jane herself can deal with many such questions; possibly tuning into them on her own, should she decide to, or through the mediation of her “psychic library.” A book could automatically develop out of the investigation—even, I joked with Jane, a “world-view” book.

As Jane wrote in Chapter 1 of The World View of Paul Cézanne: A Psychic Interpretation (1977): “Seth maintains that each of us forms a psychic world view, composed of our own ideas, feelings, and beliefs, as we encounter our private corner of reality.” The world view of every creature that has ever lived continues to exist, and can be tuned into under certain conditions. So can the psychic patterns of those now living, and even of those not yet born. Yet none of this means that contact will be made directly with the creator of the world view in question—only the bank of experiences originated through that individual’s unique version of reality. And since world views are far from being static, interactions and combinations involving all time periods take place among them constantly.

Jane’s book would be called The World View of Jane Roberts, of course. And, I thought, why not? If she could tune into the world views of the philosopher and psychologist William James, and the artist Paul Cézanne, why couldn’t she do it for the writer and mystic Jane Roberts? The results would be even more intimate than those in James and Cézanne. A work like that would furnish invaluable clues concerning her redemption, on many levels, and mine as well.

She’s also done her first two colored-ink sketches, using one of the 4” × 6” watercolor pads I’d bought for her last year. In these sketches, with their simple but very effective patterns of line and primary colors, Jane somehow bypasses her everyday challenges and very clearly reflects her basically mystical view of the world. She does the same with the little poems she’s worked upon, most of which she regards as being not only incomplete but quite inconsequential: “I wouldn’t even type them up, like you did,” she commented. Yet I like lines like: “Let the dirge be heard, sweeping all things before it,” and: “I’ve developed a sense of death, when someone takes a few steps off the known path almost unknowing,” and: “I breathed in the public air and it became private.” Jane also sings in Sumari occasionally, and has written down a few short songs in that “language” without translating them. I’ve been careful to collect for our own records the prose, sketches, poetry, and Sumari she’s produced during this time of healing and testing.

From Session 610 for June 7, 1972: “You always know what you are doing, even when you do not realize it. Your eye knows it sees, though it cannot see itself except through the use of reflection. In the same way the world as you see it is a reflection of what you are, a reflection not in glass but in three-dimensional reality. You project your thoughts, feelings, and expectations outward, then you perceive them as the outside reality. When it seems to you that others are observing you, you are observing yourself from the standpoint of your own projections.”